{"id":14129,"date":"2026-04-13T11:58:07","date_gmt":"2026-04-13T02:58:07","guid":{"rendered":"https:\/\/izuta-violin.co.jp\/catalog\/?page_id=14129"},"modified":"2026-05-02T14:50:18","modified_gmt":"2026-05-02T05:50:18","slug":"2026%e3%80%80gw-sale-ver-2","status":"publish","type":"page","link":"https:\/\/izuta-violin.co.jp\/catalog\/","title":{"rendered":"2026\u3000GW SALE"},"content":{"rendered":"\n
<\/div>\n\n\n\n

2026\u5e744\u670829\u65e5\uff08\u6c34\uff09\u301c5\u67086\u65e5\uff08\u6c34\uff09<\/h2>\n\n\n\n

\u5c55\u793a\u697d\u5668\u306e\u3054\u6848\u5185\uff08\u4e88\u5b9a\uff09<\/h2>\n\n\n\n

\uff08\u968f\u6642\u8ffd\u52a0\u66f4\u65b0\u3057\u307e\u3059\uff09<\/p>\n\n\n\n

<\/div>\n\n\n\n

\u30d0\u30a4\u30aa\u30ea\u30f3 VIOLIN<\/a><\/h2>\n\n\n\n
\n
\"\"<\/a><\/figure>
\n

Paolo Vettori 2001 Firenze <\/a><\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
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\u77e2\u4e45\u4fdd\u3000\u572d\u3000 2025<\/a><\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
\n

Klaus Clement STRADI V3<\/a><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>
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Pavel Mosbauer #60<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
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Marco Vinicio Bissolotti 2002<\/a><\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
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<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

\u30d0\u30a4\u30aa\u30ea\u30f3 VIOLIN<\/strong><\/a><\/p>\n\n\n\n


VIOLIN \u3000\u00a51,000,000\u301c<\/strong><\/td>		<\/td><\/td><\/tr>
Annibale Fagnola 1928 Torino<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>1928<\/td><\/tr>
Martin Tiefenbrunner 1736 Mittenwald<\/a><\/td>\u30c9\u30a4\u30c4<\/td>1736<\/td><\/tr>
Marco Vinicio Bissolotti 2002<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>2002<\/td><\/tr>
Marcel Vatelot Paris 1933 made by Amedee Dieudonne<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1933<\/td><\/tr>
Ernst Kessler, Berlin 1903<\/td>\u30c9\u30a4\u30c4<\/td>1903<\/td><\/tr>
Giulio Maisenti 2024 “Cremonese 1715”<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>2024<\/td><\/tr>
Labeled SECCHI 1910 No.385<\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1910<\/td><\/tr>
Roberto Delfanti<\/td>\u30a4\u30bf\u30ea\u30a2<\/td><\/td><\/tr>
Ren\u00e9 Morizot, Mirecourt 1952<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1952<\/td><\/tr>
Fritz Bauer Stuttgart 1931<\/a><\/td>\u30c9\u30a4\u30c4<\/td>1931<\/td><\/tr>
Grzegorz Bobak 2007<\/a><\/td>\u30dd\u30fc\u30e9\u30f3\u30c9<\/td>2007<\/td><\/tr>
Labeled E.M. 1887 No.4, Direction of Emile Mennesson<\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1887<\/td><\/tr>
NICOLO FORMAGGIA 2025 Crema No.87<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>2025<\/td><\/tr>
Oki Fujii 2025 “Ysa\u00ffe” model<\/td>\u65e5\u672c<\/td>2025<\/td><\/tr>
Radiana Edreva 2025 Cremona<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>2025<\/td><\/tr>
<\/td><\/td><\/td><\/tr>

VIOLIN \u3000\u00a5500,000\u301c\u00a51,000,000<\/strong><\/td>		<\/td><\/td><\/tr>
Norio Otsuka 2012<\/td><\/td>2012<\/td><\/tr>
Neuner c.1880<\/a><\/td>\u30c9\u30a4\u30c4<\/td>1880<\/td><\/tr>
Labelled: Gebr\u00fcder Nairz 1899 M\u00fcnchen<\/a><\/td><\/td><\/td><\/tr>
Mittenwald School c.1900<\/td>\u30c9\u30a4\u30c4<\/td>1900<\/td><\/tr>
Ludwig WURMER #10 <\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Ludwig WURMER #8 <\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Christoper Ebersberger 2024<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Franz Sandner #806 2024<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Ludwig WURMER #7<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Henri Delille 6 Strad mod.<\/td>\u30d9\u30eb\u30ae\u30fc<\/td>\u65b0\u4f5c<\/td><\/tr>
No Label English c.1920<\/td>\u30a4\u30ae\u30ea\u30b9<\/td>1920<\/td><\/tr>
<\/td>\u30c1\u30a7\u30b3<\/td>\u65b0\u4f5c<\/td><\/tr>
Atelier J.T.L. Copy of Amati c.1920<\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1920<\/td><\/tr>
\u3000<\/td><\/td><\/td><\/tr>

VIOLIN \u3000\u00a5300,000\u301c\u00a5500,000<\/strong><\/td>		<\/td><\/td><\/tr>
<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Pavel Mosbauer #50<\/a><\/td>\u30c1\u30a7\u30b3<\/td>\u65b0\u4f5c<\/td><\/tr>
Henri Delille 5 Del Gesu 1744<\/a><\/td>\u30d9\u30eb\u30ae\u30fc<\/td>\u65b0\u4f5c<\/td><\/tr>
P. Marcel 5<\/a><\/td>\u30d9\u30eb\u30ae\u30fc<\/td>\u65b0\u4f5c<\/td><\/tr>
Workshop of E.R.Schmidt early 20c.<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
LEGIERSKI S18 #II<\/a><\/td>\u30dd\u30fc\u30e9\u30f3\u30c9<\/td>\u65b0\u4f5c<\/td><\/tr>
P.S. Heffler #804<\/a><\/td><\/td><\/td><\/tr>

VIOIN \u3000\u301c\u00a5300,000<\/strong><\/td>		<\/td><\/td><\/tr>
Harald Lorenz #08<\/a><\/td>\u30c1\u30a7\u30b3<\/td>\u65b0\u4f5c<\/td><\/tr>
P.S. Heffler #802<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
7\/8 Jay Haide alan 2016<\/td>\u30a2\u30e1\u30ea\u30ab\/\u4e2d\u56fd<\/td>2016<\/td><\/tr>
F. Sandner SDN-01<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
P.S. Heffler #800<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Sergiu Schmidt<\/a><\/td>\u30eb\u30fc\u30de\u30cb\u30a2<\/td>\u65b0\u4f5c<\/td><\/tr>
GR. Antik<\/td><\/td>\u65b0\u4f5c<\/td><\/tr>
Karel Novak KNN-01<\/a><\/td>\u30c1\u30a7\u30b3<\/td>\u65b0\u4f5c<\/td><\/tr>
ARS MUSIC 028A-2 outfit<\/td>\u30c1\u30a7\u30b3<\/td>\u65b0\u4f5c<\/td><\/tr>
Blue danube<\/a><\/td>\u30aa\u30fc\u30b9\u30c8\u30ea\u30a2<\/td>\u65b0\u4f5c<\/td><\/tr>
Anton Prell S<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Filip Enescu<\/a><\/td>\u30eb\u30fc\u30de\u30cb\u30a2<\/td>\u65b0\u4f5c<\/td><\/tr>
Hans P. Jung Antique<\/a><\/td><\/td>\u65b0\u4f5c<\/td><\/tr>
ARS MUSIC 024A outfit<\/td>\u30c1\u30a7\u30b3<\/td>\u65b0\u4f5c<\/td><\/tr>
Nicolo Santi NSN78\/S1 outfit<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
Nicolo Santi Canterino CAN110<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GEWA 3 outfit<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO V-100 Strad<\/a><\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO GV-1H S outfit<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
Nicolo Santi NSN50\/S outfit<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
ENA VIOLIN 10 outfit<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO GV-0S outfit<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u30d0\u30a4\u30aa\u30ea\u30f3\u5f13 Violin bow<\/a><\/h2>\n\n\n\n
\"\"<\/a><\/figure>
\n


Dominique Peccatte 1845-1850<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
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Louis Gillet c.1960<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
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Walter Barbiero<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
\n

Christian Barthe G\/E<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
\n

Garner WILSON<\/p>\n<\/div><\/div>\n\n\n\n

\u30d0\u30a4\u30aa\u30ea\u30f3\u5f13\u3000VIOLIN BOW<\/a><\/strong><\/p>\n\n\n\n


VIOLIN BOW \u3000\u00a52,000,000\u301c<\/strong><\/td>		<\/td><\/td><\/tr>
Emile Auguste Ouchard ca.1925<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1925<\/td><\/tr>
Victor Fetique c.1925 Workshop<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1925<\/td><\/tr>
Louis Morizot fr\u00e8res stamped R.& M. Millant<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td><\/td><\/tr>
DUPUY A PARIS by Louis Gillet c.1960<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1960<\/td><\/tr>
Charles Nicolas Bazin NS\/E [unstamped]<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td><\/td><\/tr>
Louis Piernot stamped P. Jomber<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td><\/td><\/tr>
Louis Joseph Morizot (pere) c.1920<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1920<\/td><\/tr>
L. MORIZOT pere S\/E ca.1925 Stamped J. SARTORI <\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1925<\/td><\/tr>
Louis Joseph Morizot (pere) c.1930<\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1930<\/td><\/tr>
Christian Barthe G\/E<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
Dominique Peccatte 1845-1850<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1850<\/td><\/tr>
J.B.Vuillaume G\/T by F.N.Voirin c.1860<\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1860<\/td><\/tr>
Andre Richaume Gold\/Ebony c.1955<\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1955<\/td><\/tr>
Albert Caressa Stamp made by Jules Fetique c.1930<\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1930<\/td><\/tr>
<\/td><\/td><\/td><\/tr>

VIOLIN BOW \u3000\u00a5500,000\u301c\u00a52,000,000<\/strong><\/td>		<\/td><\/td><\/tr>
W.E. HILL & SONS Silver\/Ivory<\/td><\/td><\/td><\/tr>
Pascal Camurat<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
Walter Barbiero Gold<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>\u65b0\u4f5c<\/td><\/tr>
Mars Auguste Husson c1925<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1925<\/td><\/tr>
Marcel Charles Lapierre S\/E ca.1950 62.5 [160]<\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1950<\/td><\/tr>
ARCHET PAVANE OHSE PRIMA 80TH model<\/a><\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
Georges Emile Barjonnet c.1960<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1960<\/td><\/tr>
CUNIOT HAUSSET PE Solo(N)<\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
Walter Barbiero<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>\u65b0\u4f5c<\/td><\/tr>
Garner WILSON c.1970<\/a><\/td>\u30a4\u30ae\u30ea\u30b9<\/td>1970<\/td><\/tr>
Josef P. Gabriel MYS Ia<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Gunter Paulus ***<\/a><\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
Marc Laberte Stamp<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td><\/td><\/tr>
SUGITO PECCATTE MODEL G\/E c.1980<\/a><\/td>\u65e5\u672c<\/td><\/td><\/tr>
H. KNOLL #324<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
HARTMUT KNOLL<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
<\/td><\/td><\/td><\/tr>

VIOLIN BOW \u3000\u00a5200,000\u301c\u00a5500,000<\/strong><\/td>		<\/td><\/td><\/tr>
F.C. NEUVEVILLE<\/a><\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
Finkel\/Sartory<\/a><\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
ARCHET PAVANE TO-L 80TH MODEL<\/a><\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
ARCHET PLUMAGE ***<\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
D. Ernst<\/a><\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
ARCHET PE Trad-S(N)<\/a><\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
ARCHET SA Trad-S(N)<\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
JENS PAULUS<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
L. SEIFERT 340<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
LEFIN<\/a><\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
J. Thibouville Lamy TLBV-1<\/a><\/td><\/td>\u65b0\u4f5c<\/td><\/tr>
Finkel\/Atelier<\/a><\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
S. Kuhnla 1011<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
A. Langolf AL-110<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
ARCHET SA1006(N)<\/a><\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
PAESOLD PA365V-R<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
<\/td><\/td><\/td><\/tr>

VIOLIN BOW \u3000\u301c\u00a5200,000<\/strong><\/td>		<\/td><\/td><\/tr>
Archet Plumage *<\/a><\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
ARCHET SA1005(N)<\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
R. Paesold PA237V-R<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Gotz Bo73<\/a><\/td><\/td>\u65b0\u4f5c<\/td><\/tr>
PIERRE BARON<\/td><\/td>\u65b0\u4f5c<\/td><\/tr>
ARY France #SPL<\/td><\/td>\u65b0\u4f5c<\/td><\/tr>
SUGITO Standard-B<\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
L. BRANCHE model Peccatte<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
L. BRANCHE model Sartory<\/a><\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
SEIFERT 130<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
Ary France #SP<\/a><\/td><\/td>\u65b0\u4f5c<\/td><\/tr>
Fiumebianca Carbon SE BRW<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO NI-80<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
C. BACCI PBV-500<\/a><\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
L. BRANCHE PS<\/a><\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
E. Noel ENN-01<\/a><\/td><\/td>\u65b0\u4f5c<\/td><\/tr>
Fiumebianca Carbon NSE180<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO NB-0<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
Carlo Giordano BV-101<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u30d3\u30aa\u30e9 VIOLA<\/a><\/h2>\n\n\n\n
\n
\"\"<\/a><\/figure>
\n

Francesco Bissolotti\u30001997<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
\n

Paul Hilaire 1968<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
\n

Anton Prell 3<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

\u30d3\u30aa\u30e9\u3000VIOLA<\/a><\/strong><\/p>\n\n\n\n


VIOLA \u3000\u00a51,000,000\u301c<\/strong><\/td>		<\/td><\/td><\/tr>
Francesco Bissolotti, Cremona 1997 415mm<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>1997<\/td><\/tr>
Mario Bandini 1971 Ravenna 416<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>1971<\/td><\/tr>
Paul Hilaire 1968 412mm <\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1968<\/td><\/tr>
Toru Ohashi 2023 Aichi 42.0<\/td>\u65e5\u672c<\/td>2023<\/td><\/tr>
Edrio Edrev Cremona 2008<\/td>\u30a4\u30bf\u30ea\u30a2<\/td>2008<\/td><\/tr>
Simeone Morassi, Cremona 1989 416mm<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>1989<\/td><\/tr>
Lorenzo Cassi, Cremona 2002 418mm<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>2002<\/td><\/tr>
Kei Yakubo 2021 Ryukyu<\/a><\/td>\u65e5\u672c<\/td><\/td><\/tr>
<\/td><\/td><\/td><\/tr>

VIOLA \u3000\u00a5500,000\u301c\u00a51,000,000<\/strong><\/td>		<\/td><\/td><\/tr>
Kiyomi Manabe 2016 Fukuoka<\/td>\u65e5\u672c<\/td>2016<\/td><\/tr>
Retsu Shibata 2019<\/a><\/td>\u65e5\u672c<\/td>2019<\/td><\/tr>
J. Lorenz #30 405mm 2008<\/a><\/td>\u30c1\u30a7\u30b3<\/td>2008<\/td><\/tr>
Labelled Antonius Tirr 38.5<\/a><\/td>\u4e0d\u660e<\/td><\/td><\/tr>
Henri Delille 5 Guadagnini<\/a><\/td>\u30d9\u30eb\u30ae\u30fc<\/td>\u65b0\u4f5c<\/td><\/tr>
<\/td><\/td><\/td><\/tr>

VIOLA \u3000\u00a5300,000\u301c\u00a5500,000<\/strong><\/td>		<\/td><\/td><\/tr>
LUDWIG WURMER #4 39.5<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Jay Hadide alan 2012<\/a><\/td><\/td>2012<\/td><\/tr>
Simon Jozsef 40.5cm<\/a><\/td>\u30eb\u30fc\u30de\u30cb\u30a2<\/td>\u65b0\u4f5c<\/td><\/tr>
R. Paesold 706 410mm 1990<\/a><\/td>\u30c9\u30a4\u30c4<\/td>1990<\/td><\/tr>
H. Lorenz #08-1 405mm<\/td>\u30c1\u30a7\u30b3<\/td>\u65b0\u4f5c<\/td><\/tr>
Satoru Fukawa 2006<\/a><\/td>\u65e5\u672c<\/td>2006<\/td><\/tr>
Anton Prell 3 394mm<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
<\/td><\/td><\/td><\/tr>
<\/td><\/td><\/td><\/tr>

VIOLA \u3000\u301c\u00a5300,000<\/strong><\/td>		<\/td><\/td><\/tr>
Jay Haide #101 2005 396<\/a><\/td>\u30a2\u30e1\u30ea\u30ab\/\u4e2d\u56fd<\/td>2005<\/td><\/tr>
ARS MUSIC 024A 15.5<\/td>\u30c1\u30a7\u30b3<\/td>\u65b0\u4f5c<\/td><\/tr>
Karl Hofner\u3000406mm 3\/15<\/a><\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
Georgeta Moga #3\u30002007 391mm<\/a><\/td>\u30eb\u30fc\u30de\u30cb\u30a2<\/td>2007<\/td><\/tr>
Nicolo Santi NSA80\/S Viola set 39.5<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
Wurmer #1 2011<\/a><\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
GRAZIOSO GA-1H S 16inc. outfit<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GEWA 40.6cm<\/a><\/td>\u4e2d\u56fd<\/td><\/td><\/tr>
R.M. Paulus VA14 1991<\/td>\u30c9\u30a4\u30c4<\/td>1991<\/td><\/tr>
Ivan Petrov 2017 407mm<\/a><\/td>\u30d6\u30eb\u30ac\u30ea\u30a2<\/td>2017<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u30d3\u30aa\u30e9\u5f13\u3000Viola bow<\/h2>\n\n\n\n
\"\"<\/a><\/figure>
\n

Knoll<\/p>\n<\/div><\/div>\n\n\n\n

\u30d3\u30aa\u30e9\u5f13\u3000VIOLA BOW<\/a><\/strong><\/p>\n\n\n\n


VIOLA BOW \u3000\u00a51,000,000\u301c<\/strong><\/td>		<\/td><\/td><\/tr>
Old French c.1840 Mirecourt J.D.Adam Style<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1840<\/td><\/tr>
Christian Barthe Gold<\/td>\u30d5\u30e9\u30f3\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
Louis Morizot freres, Mirecourt c1955, 66.6g<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td>1955<\/td><\/tr>
H.R. Pfretzschner<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
W.D. Watson Gold\/Tortoiseshell<\/td>\u30a4\u30ae\u30ea\u30b9<\/td><\/td><\/tr>
<\/td><\/td><\/td><\/tr>

VIOLA BOW \u3000\u00a5300,000\u301c\u00a51,000,000<\/strong><\/td>		<\/td><\/td><\/tr>
Arturo Ponce, Cremona 2013 70.5g<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>2013<\/td><\/tr>
Leon Bernardel Stamp by Pfretzschner School c.1910<\/a><\/td>\u30c9\u30a4\u30c4<\/td>1910<\/td><\/tr>
John Matthews<\/a><\/td>\u30a4\u30ae\u30ea\u30b9<\/td>2018<\/td><\/tr>
F.C. NEUVEVILLE<\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
K.A. UEBEL<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Knoll Mammoth<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Paesold PA497VA(Harald Wonner),71.9g<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
H. KNOLL<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Finkel\/Sarory<\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
Ch. Wanka<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
D. ERNST<\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
JENS PAULUS 10302<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
LEFIN<\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
<\/td><\/td><\/td><\/tr>

VIOLA BOW \u3000\u301c\u00a5300,000<\/strong><\/td>		<\/td><\/td><\/tr>
ARCHET PE2006<\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
R CASARA<\/a><\/td>\u30d6\u30e9\u30b8\u30eb<\/td>\u65b0\u4f5c<\/td><\/tr>
ARCOS SE<\/a><\/td>\u30d6\u30e9\u30b8\u30eb<\/td>\u65b0\u4f5c<\/td><\/tr>
ARCHET A2001<\/td>\u65e5\u672c<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO AF-3 round<\/a><\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO AF-1<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
BVO-201<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
MP. THIBAUT TOKYO, ca.1989<\/td><\/td><\/td><\/tr>
WALTER METTAL c.1979<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
A. KNOLL #2<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u30c1\u30a7\u30ed\u3000CELLO<\/h2>\n\n\n\n
\n
\"\"<\/a><\/figure>
\n

Dresden School<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
\n


Klaus Clement <\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

\u30c1\u30a7\u30ed\u3000CELLO<\/a><\/strong><\/p>\n\n\n\n


CELLO \u3000\u00a53,000,000\u301c<\/strong><\/td>		<\/td><\/td><\/tr>
Francesco Bissolotti 1998<\/td>\u30a4\u30bf\u30ea\u30a2<\/td>1998<\/td><\/tr>
Riccardo Bergonzi 2011 mod. Montagnana<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>2011<\/td><\/tr>
Neuner & Hornsteiner<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
Robert Delfanti, Cremona 2020<\/td>\u30a4\u30bf\u30ea\u30a2<\/td>2020<\/td><\/tr>
Albin Ludwig Paulus Jr.<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
Labelled Mathias Thir<\/td>\u4e0d\u660e<\/td><\/td><\/tr>
<\/td><\/td><\/td><\/tr>

CELLO \u3000\u00a51,000,000\u301c\u00a53,000,000<\/strong><\/td>		<\/td><\/td><\/tr>
Rainer Leonhardt 27<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Clement & Pilz ZWEI<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
No Label Dresden 1890<\/a><\/td>\u30c9\u30a4\u30c4<\/td>1890<\/td><\/tr>
Workshop of C.A.Wunderich <\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
Anton Dietl 1956<\/td><\/td>1956<\/td><\/tr>
WURMER #5<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
WURMER #4<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
P.S. Heffler SHC-03 <\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Berntsen Flavio , Laboratorio Grisales 2008<\/a><\/td>\u30a4\u30bf\u30ea\u30a2<\/td>2008<\/td><\/tr>
<\/td><\/td><\/td><\/tr>

CELLO \u3000\u00a5500,000\u301c\u00a51,000,000<\/strong><\/td>		<\/td><\/td><\/tr>
Anton Prell III<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Eberhard Meinel Markneukirchen<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
Josef Schuster Nr.830 1982 <\/td>\u30c9\u30a4\u30c4<\/td>1982<\/td><\/tr>
<\/td><\/td><\/td><\/tr>

CELLO \u3000\u301c\u00a5500,000<\/strong><\/td>		<\/td><\/td><\/tr>
Claudio Bacci CBC-400<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO C-380<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO C-280S outfit<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO C-330<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
Grazioso GC-1H S<\/a><\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u30c1\u30a7\u30ed\u5f13\u3000Cello bow<\/a><\/h2>\n\n\n\n
\"\"<\/a><\/figure>
\n

E. SARTORY<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure>
\n

A. KNOLL<\/p>\n<\/div><\/div>\n\n\n\n

\u30c1\u30a7\u30ed\u5f13\u3000CELLO BOW<\/a><\/strong><\/p>\n\n\n\n


CELL BOW \u3000\u00a51,000,000\u301c<\/strong><\/td>		<\/td><\/td><\/tr>
Jacques Audinot G\/E<\/td>\u30d5\u30e9\u30f3\u30b9<\/td><\/td><\/tr>
Eugene Nicolas Sartory Silver c.1910<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td><\/td><\/tr>
Claude Thomassin, Paris late 1800s<\/a><\/td>\u30d5\u30e9\u30f3\u30b9<\/td><\/td><\/tr>
W.D. Watson Gold\/Ebony<\/a><\/td>\u30a4\u30ae\u30ea\u30b9<\/td><\/td><\/tr>
W.D. Watson Silver\/Tortoiseshell<\/a><\/td>\u30a4\u30ae\u30ea\u30b9<\/td><\/td><\/tr>
T. Giquet S\/E<\/td><\/td><\/td><\/tr>
<\/td><\/td><\/td><\/tr>

CELL BOW \u3000\u00a5300,000\u301c\u00a51,000,000\u301c<\/strong><\/td>		<\/td><\/td><\/tr>
Bernd D\u00f6lling *** Horn c.2009<\/td>\u30c9\u30a4\u30c4<\/td>2009<\/td><\/tr>
G. KNOLL<\/a><\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
J. MIETHING S\/E<\/a><\/td><\/td>\u65b0\u4f5c<\/td><\/tr>
M. FISCHER<\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
H. Wunderlich Gold<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
F.C. NEUVEVILLE<\/a><\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
Millant a Paris<\/td><\/td>\u65b0\u4f5c<\/td><\/tr>
Wanka #24BS<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
Josef Gabriel S\/E no.9<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
FINKEL\/SARTORY<\/a><\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
D. ERNST<\/a><\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
Swiss #330r Ernst<\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
Flavio Schaeffer Mod.S IPE<\/td>\u30d6\u30e9\u30b8\u30eb<\/td>\u65b0\u4f5c<\/td><\/tr>
LEFIN<\/td>\u30b9\u30a4\u30b9<\/td>\u65b0\u4f5c<\/td><\/tr>
HEIKO WUNDERLICH<\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
<\/td><\/td><\/td><\/tr>

CELL BOW \u3000\u301c\u00a5300,000<\/strong><\/td>		<\/td><\/td><\/tr>
Arcos IPE S Special<\/td>\u30d6\u30e9\u30b8\u30eb<\/td>\u65b0\u4f5c<\/td><\/tr>
A. KNOLL #3<\/a><\/td>\u30c9\u30a4\u30c4<\/td>\u65b0\u4f5c<\/td><\/tr>
ZANONI, Nickel Fully-Mounted Frog IPE<\/a><\/td>\u30d6\u30e9\u30b8\u30eb<\/td>\u65b0\u4f5c<\/td><\/tr>
CAMILO HERCULANO, Ipe Nickel Half-Mounted frog<\/td>\u30d6\u30e9\u30b8\u30eb<\/td>\u65b0\u4f5c<\/td><\/tr>
L. BRANCHE model Peccatte<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
L. BRANCHE model Sartory<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO CF-50<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
C. Bacci PB-600<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO CC-3 Carbon<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
L. Branche PS Series<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO CC-2 Carbon<\/a><\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
GRAZIOSO CB-0<\/td>\u4e2d\u56fd<\/td>\u65b0\u4f5c<\/td><\/tr>
Otto Durrschmidt<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
Paesold 192C ca.2010<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
Herbert Wanka *<\/td>\u30c9\u30a4\u30c4<\/td><\/td><\/tr>
HERBERT WANKA S\/I<\/td>\u30c9\u30a4\u30c4<\/td>1980\u9803<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

\u30b3\u30f3\u30c8\u30e9\u30d0\u30b9<\/strong><\/p>\n\n\n\n

\u30b3\u30f3\u30c8\u30e9\u30d0\u30b9\u5f13<\/a><\/strong><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

2026\u5e744\u670829\u65e5\uff08\u6c34\uff09\u301c5\u67086\u65e5\uff08\u6c34\uff09 \u5c55\u793a\u697d\u5668\u306e\u3054\u6848\u5185 …<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-14129","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/izuta-violin.co.jp\/catalog\/wp-json\/wp\/v2\/pages\/14129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/izuta-violin.co.jp\/catalog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/izuta-violin.co.jp\/catalog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/catalog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/catalog\/wp-json\/wp\/v2\/comments?post=14129"}],"version-history":[{"count":57,"href":"https:\/\/izuta-violin.co.jp\/catalog\/wp-json\/wp\/v2\/pages\/14129\/revisions"}],"predecessor-version":[{"id":14682,"href":"https:\/\/izuta-violin.co.jp\/catalog\/wp-json\/wp\/v2\/pages\/14129\/revisions\/14682"}],"wp:attachment":[{"href":"https:\/\/izuta-violin.co.jp\/catalog\/wp-json\/wp\/v2\/media?parent=14129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}