Worked at Turin, 1720-1754.
Outline generally belonging to the large Amatese, but arching reminds one of the Bergonzi school. Some instruments seem influenced by traits of a large-patterned Joffredus Cappa. Workmanship quite in accordance with neatness. Some instruments have prominent corners beautifully finished. Always very carefully chosen spruce; and often gorgeously handsome material for back and ribs, but also specimens moderately plain. Rich transparent yellow or an orange-brown varnish of exceedingly fine texture. Tone of considerable nobility, full, clear, and of a soloist’s necessary quality of sonority and sweetness.
Measurements of an example dated 1734 – valued at £200 (1920) – body length, l4-1/16 inches; upper bouts, 8-9/16; lower, 8-3/8.
’Cellos also sought for. Several viol-d’amours in museums.
Joannes Franciscus Celionatus fecit
Taurini anno Domini 1723.
Some with decorative borders, others without. £400 1959.