{"id":1238,"date":"2021-06-04T17:51:06","date_gmt":"2021-06-04T08:51:06","guid":{"rendered":"http:\/\/192.168.0.250\/izuta\/violin\/?p=1238"},"modified":"2022-02-20T14:04:59","modified_gmt":"2022-02-20T05:04:59","slug":"panormo-george-1777-1845","status":"publish","type":"post","link":"https:\/\/izuta-violin.co.jp\/makers\/archives\/1238","title":{"rendered":"PANORMO, George ( 1777 &#8211; 1845 )"},"content":{"rendered":"\n<p>\u30b8\u30e7\u30eb\u30b8\u30e5\u30fb\u30d1\u30ce\u30eb\u30e2<\/p>\n\n\n\n<p>Third son of Sicilian-born violin maker Vincenzo Panormo, George Panormo worked as a violin maker, but often for other firms, possibly including James and Henry Banks. As a result, he rarely signed his instruments, and is not to be confused with his son, George Lewis, who bought the family&#8217;s guitar-making business from his uncle Louis around 1855.&nbsp;<\/p>\n\n\n\n<p>\u30b7\u30c1\u30ea\u30a2\u751f\u307e\u308c\u306e\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u88fd\u4f5c\u8005\u30f4\u30a3\u30f3\u30c1\u30a7\u30f3\u30c4\u30a9\u30fb\u30d1\u30ce\u30eb\u30e2\u306e\u4e09\u7537\u3067\u3042\u308b\u30b8\u30e7\u30fc\u30b8\u30fb\u30d1\u30ce\u30eb\u30e2\u306f\u3001\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u88fd\u4f5c\u8005\u3068\u3057\u3066\u50cd\u3044\u3066\u3044\u305f\u304c\u3001\u30b8\u30a7\u30fc\u30e0\u30ba\u30fb\u30d0\u30f3\u30af\u30b9\u3084\u30d8\u30f3\u30ea\u30fc\u30fb\u30d0\u30f3\u30af\u30b9\u3092\u542b\u3080\u4ed6\u306e\u4f1a\u793e\u3067\u50cd\u3044\u3066\u3044\u305f. \u305d\u306e\u7d50\u679c\u3001\u5f7c\u306f\u697d\u5668\u306b\u7f72\u540d\u3059\u308b\u3053\u3068\u306f\u3081\u3063\u305f\u306b\u306a\u304f\u30011855\u5e74\u9803\u306b\u53d4\u7236\u306e\u30eb\u30a4\u30b9\u304b\u3089\u5bb6\u65cf\u306e\u30ae\u30bf\u30fc\u88fd\u9020\u696d\u3092\u8cb7\u53ce\u3057\u305f\u606f\u5b50\u306e\u30b8\u30e7\u30fc\u30b8\u30fb\u30eb\u30a4\u30b9\u3068\u6df7\u540c\u3057\u306a\u3044\u3067\u304f\u3060\u3055\u3044<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u30b8\u30e7\u30eb\u30b8\u30e5\u30fb\u30d1\u30ce\u30eb\u30e2 Third son of S&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1238","post","type-post","status-publish","format-standard","hentry","category-makers"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/comments?post=1238"}],"version-history":[{"count":1,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1238\/revisions"}],"predecessor-version":[{"id":2686,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1238\/revisions\/2686"}],"wp:attachment":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/media?parent=1238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/categories?post=1238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/tags?post=1238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}