{"id":1253,"date":"2021-06-04T17:59:26","date_gmt":"2021-06-04T08:59:26","guid":{"rendered":"http:\/\/192.168.0.250\/izuta\/violin\/?p=1253"},"modified":"2022-02-20T14:03:51","modified_gmt":"2022-02-20T05:03:51","slug":"bailly-paul-1844-1915","status":"publish","type":"post","link":"https:\/\/izuta-violin.co.jp\/makers\/archives\/1253","title":{"rendered":"BAILLY, Paul ( 1844 &#8211; 1915 )"},"content":{"rendered":"\n<p>\u30dd\u30fc\u30eb\u30fb\u30d9\u30a4\u30ea\u30fc(1844 &#8211; 1915)<\/p>\n\n\n\n<p>1844\u5e74 \u30df\u30eb\u30af\u30fc\u30eb\u751f\u307e\u308c\u3002<\/p>\n\n\n\n<p>\u30b7\u30e3\u30eb\u30eb\u30fb\u30ae\u30e5\u30e9\u30fc(Charles Galliard fl.1851-1880)\u3068\u30f4\u30a3\u30e8\u30fc\u30e0(Jean Baptiste Vuillaume 1798-1875)\u306e\u5f1f\u5b50\u3002<\/p>\n\n\n\n<p>\u305d\u306e\u5f8c\u3001\u69d8\u3005\u306a\u571f\u5730\u3067\u50cd\u304d(Lille \/ Douai \/ Mirecourt \/ Paris \/ Brussels \/ America \/ Rheims \/ London)<\/p>\n\n\n\n<p>\u30ea\u30fc\u30ba(Leeds)\u306e\u30cf\u30ea\u30fc\u30fb\u30c7\u30a3\u30fc\u30af\u30b9(Harry Dykes)\u306e\u4e0b\u3067\u3082\u50cd\u304d\u307e\u3057\u305f\u3002<\/p>\n\n\n\n<p>1899\u5e74\u306b\u30d1\u30ea\u306b\u5f15\u3063\u8d8a\u3057\u3066\u958b\u696d\u3002<\/p>\n\n\n\n<p>\u30b9\u30c8\u30e9\u30c9\u3001\u30ac\u30eb\u30cd\u30ea\u306e\u53e4\u5178\u7684\u306a\u30e2\u30c7\u30eb\u3067\u3001\u975e\u5e38\u306b\u7dfb\u5bc6\u306a\u4ed5\u4e0a\u3052\u306e\u697d\u5668\u3092\u4f5c\u308a\u307e\u3057\u305f\u3002<\/p>\n\n\n\n<p>1907\u5e74(63\u6b73) \u30d1\u30ea\u3067\u6b7b\u53bb\u3002<\/p>\n\n\n\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n\n\n\n<p>Born at Mirecourt, 1844. Pupil of Jules Galliard and Vuillaume. Worked at Lille and Douai. Returned to Mirecourt 1871 &#8211; moved to Paris 1880 &#8211; lived at Brussels &#8211; had a brief sojourn in America &#8211; worked at Reims &#8211; came to London &#8211; worked for Harry Dykes at Leeds. Finally settled at Paris 1899. Died 1915.<\/p>\n\n\n\n<p>Exceptionally gifted with rapid dexterity &#8211; produced about 2,000 specimens, each of exemplary neatness etc. Particularly expert copyist of the Italians from Maggini to Guarnerius; also built many replicas of the Vuillaume style, made from Swiss chalet pine, 200 years old. Especially successful in imparting a non-new tonal quality. Various shades of varnish &#8211; brilliant red perhaps favoured.<\/p>\n\n\n\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n\n\n\n<p>Paul Bailly, luthier \u00e0 Mirecourt, Vosges<\/p>\n\n\n\n<p>El\u00e8ve de J. B. Vuillaume de Paris<\/p>\n\n\n\n<p>Luthier de l\u2019Acad\u00e9mie de musique de Douai<\/p>\n\n\n\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n\n\n\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n\n\n\n<p>10 M\u00e9dailles-Or, Vermeil, Argent et Bronze<\/p>\n\n\n\n<p>\u00e0 Paris, Sydney, Melbourne, etc.<\/p>\n\n\n\n<p>No. 1118. Paul Bailly Luthier<\/p>\n\n\n\n<p>Ancien El\u00e8ve de J. B. Vuillaume de Paris<\/p>\n\n\n\n<p>197, rue de Grenelle, Paris. Ann\u00e9e 1901<\/p>\n\n\n\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n\n\n\n<p>(Autographed on right-hand side).<\/p>\n\n\n\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n\n\n\n<p>Ten Medals &#8211; gold, silver and bronze<\/p>\n\n\n\n<p>Paul Bailly. Violin Maker<\/p>\n\n\n\n<p>Pupil of Jean Baptiste Vuillaume<\/p>\n\n\n\n<p>86 Wardour St.<\/p>\n\n\n\n<p>London. W.<\/p>\n\n\n\n<p>No. 799<\/p>\n\n\n\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n\n\n\n<p>(P.B. double-circled).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u30dd\u30fc\u30eb\u30fb\u30d9\u30a4\u30ea\u30fc(1844 &#8211; 191&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1253","post","type-post","status-publish","format-standard","hentry","category-makers"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/comments?post=1253"}],"version-history":[{"count":1,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1253\/revisions"}],"predecessor-version":[{"id":2681,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1253\/revisions\/2681"}],"wp:attachment":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/media?parent=1253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/categories?post=1253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/tags?post=1253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}