\u30a2\u30c8\u30ad\u30f3\u30bd\u30f3<\/p>\n\n\n\n
Born at Stepney, 1851. Worked at Tottenham many years. Lived at Paglesham (Essex), 1911 and became postmaster to the village. Died 1929.<\/p>\n\n\n\n
Made over 200 instruments. Two original models – measurements slightly differing from the Strad. Attractive outline and full edges. Neat purfling and cleanly-cut sound-holes. Outstandingly bold scroll. Highly finished workmanship in every detail. Generally handsome wood. Oil varnish of beautiful texture – various shades from pale straw to reddish-brown – elastic, transparent and soft as velvet, which consolidates and unifies the fibres of the wood – the result of years of experimenting. Frequently advertised that he had solved the \u2018long lost secret of the Cremona varnish\u2019 and called his violins \u2018Cremonides\u2019.<\/p>\n\n\n\n
1851\u5e74\u3001\u30b9\u30c6\u30c3\u30d7\u30cb\u30fc\u3067\u751f\u307e\u308c\u308b\u3002\u30c8\u30c3\u30c6\u30ca\u30e0\u3067\u9577\u5e74\u50cd\u304f\u30021911\u5e74\u3001\u30d1\u30b0\u30ec\u30b7\u30e3\u30e0\uff08\u30a8\u30bb\u30c3\u30af\u30b9\u5dde\uff09\u306b\u4f4f\u307f\u3001\u540c\u6751\u306e\u90f5\u4fbf\u5c40\u9577\u3068\u306a\u308b\u30021929\u5e74\u306b\u6b7b\u53bb\u3002<\/p>\n\n\n\n
200\u4ee5\u4e0a\u306e\u697d\u5668\u3092\u88fd\u4f5c\u30022\u3064\u306e\u30aa\u30ea\u30b8\u30ca\u30eb\u30e2\u30c7\u30eb-\u5bf8\u6cd5\u306f\u30b9\u30c8\u30e9\u30c9\u3068\u306f\u82e5\u5e72\u7570\u306a\u308b\u3002\u9b45\u529b\u7684\u306a\u30a2\u30a6\u30c8\u30e9\u30a4\u30f3\u3068\u30d5\u30eb\u30a8\u30c3\u30b8\u3002\u7aef\u6b63\u306a\u30d1\u30fc\u30d5\u30ea\u30f3\u30b0\u3068\u304d\u308c\u3044\u306b\u30ab\u30c3\u30c8\u3055\u308c\u305f\u30b5\u30a6\u30f3\u30c9\u30db\u30fc\u30eb\u3002\u5927\u80c6\u306a\u30b9\u30af\u30ed\u30fc\u30eb\u3002\u7d30\u90e8\u306b\u81f3\u308b\u307e\u3067\u5b8c\u6210\u5ea6\u306e\u9ad8\u3044\u4ed5\u4e0a\u304c\u308a\u3002\u5168\u4f53\u7684\u306b\u7f8e\u3057\u3044\u6728\u6750\u3002\u6de1\u3044\u9ea6\u308f\u3089\u8272\u304b\u3089\u8d64\u8910\u8272\u307e\u3067\u69d8\u3005\u306a\u8272\u8abf\u306e\u7f8e\u3057\u3044\u8cea\u611f\u306e\u30aa\u30a4\u30eb\u30cb\u30b9\u306f\u3001\u5f3e\u529b\u6027\u304c\u3042\u308a\u900f\u660e\u3067\u30d9\u30eb\u30d9\u30c3\u30c8\u306e\u3088\u3046\u306b\u67d4\u3089\u304b\u304f\u3001\u6728\u306e\u7e4a\u7dad\u3092\u56fa\u3081\u3066\u4e00\u4f53\u5316\u3055\u305b\u308b\u3082\u306e\u3067\u3001\u9577\u5e74\u306b\u308f\u305f\u308b\u5b9f\u9a13\u306e\u7d50\u679c\u3067\u3059\u3002\u30af\u30ec\u30e2\u30ca\u306e\u30cb\u30b9\u306e\u9577\u3044\u9593\u5931\u308f\u308c\u3066\u3044\u305f\u79d8\u5bc6\u300d\u3092\u89e3\u3044\u305f\u3068\u983b\u7e41\u306b\u5ba3\u4f1d\u3057\u3001\u5f7c\u306e\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u3092\u300c\u30af\u30ec\u30e2\u30cb\u30c7\u30b9\u300d\u3068\u547c\u3093\u3067\u3044\u307e\u3057\u305f\u3002<\/p>\n\n\n\n
Robust instruments with strong (and a hint of the silvery quality) tone. Priced at \uffe125: violas \uffe130: and \u2019cellos \uffe150.<\/p>\n\n\n\n
————————-<\/p>\n\n\n\n
William Atkinson in<\/p>\n\n\n\n
Tottenham 1893<\/p>\n\n\n\n
————————-<\/p>\n\n\n\n
(Sloping lettering – varnished over with the same varnish as used on the violin to prevent ink fading – monogram stamped on back).<\/p>\n\n\n\n
————————<\/p>\n\n\n\n
William Atkinson<\/p>\n\n\n\n
in Paglesham 1924<\/p>\n\n\n\n
————————<\/p>\n\n\n\n
(large lettering)<\/p>\n","protected":false},"excerpt":{"rendered":"
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