{"id":1400,"date":"2021-06-05T13:26:35","date_gmt":"2021-06-05T04:26:35","guid":{"rendered":"http:\/\/192.168.0.250\/izuta\/violin\/?p=1400"},"modified":"2022-06-13T17:12:36","modified_gmt":"2022-06-13T08:12:36","slug":"testore-carlo-giuseppe-1660-1738","status":"publish","type":"post","link":"https:\/\/izuta-violin.co.jp\/makers\/archives\/1400","title":{"rendered":"TESTORE, Carlo Giuseppe ( 1660 – 1738 )"},"content":{"rendered":"\n

Carlo Giuseppe Testore<\/strong> \u3000[c.1660-1716]<\/p>\n\n\n\n

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Carlo Giuseppe Testore<\/strong><\/p>\n\n\n\n

Milan 1690<\/strong><\/p>\n\n\n\n

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TESTORE, CARLO GIUSEPPE<\/p>\n\n\n\n

Born at Novara (Italy) 1660. Went to Milan about 1683. Worked with Grancino. Died 1738. The most conspicuous member of the family, but did not produce a very large number of instruments. Several of his Grancino-Amati models have been re-labelled, and sold as genuine Grancinos. Others have occasionally been attributed to Guarnerius. Modelling varies very considerably, but touches of Amati influence predominate. Generally of medium dimenslons, body length 13-3\/4 inches, moderate arching. The slight slant in waist-curves foreshadow what is now known as the Guamerian. Occasionally wrought an elegatit and picturesque design but never reached ideality. Without being over-enthusiastic concerning the workmanship, we much acknowledge that it is strong and conscientious though never immaculate in finish. He needed stirring up after certain lapses into a kind of careless go-as-you-please spate, yet seemingly sure-handed style, and should have been encouraged to bestow more critical revision on what was so plainly excellent, and he could have easily stepped into artistry of refinement. Wood always more carefully chosen for tonal resonance rather than appearance. Backs seldom favoured with material other than that of a very slight figure, or quite plain, and this applies also to the ribs. Bellies sometimes of a broad mottled grain. Scrolls generally flat and pinched, but also of pretty swing. Sound-holes somewhat pointed, again foreshadowing the well-known characteristic of a Guarnerius. Purfling generally inaccurate, some unpurfled. Plainness of wood not especially enhanced with its covering of brownish-yellow or yellow with red-brown shading varnish, generally applied thinly and verging on the coldly dull. Tonal quality remarkably powerful, very spontaneous under the bow of a stroke-freedom soloist, far carrying and round, though its sympathetic qualities are sometimes questionable. Violas of medium arching, body length 15-3\/4 inches, light golden-brown varnish, and finely free tone. \u2019Cellos almost invariably of pear-tree wood for backs, bellies of splendid tonal pine (even though a knot here and there sometimes exhibits itself), and bold scrolls of beech wood. Body length 29-1\/4 inches, upper bouts 13-7\/8; lower 17. Brown varnish with a slight yellow tinge. Also produced several basses of small model, all having a magnificent tone. Favourite instruments of several Italian virtuosi.<\/p>\n\n\n\n

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\u308f\u305a\u304b\u306b\u9ec4\u8272\u5473\u306e\u3042\u308b\u8336\u8272\u306e\u30cb\u30b9\u3002\u5c0f\u3055\u306a\u30e2\u30c7\u30eb\u306e\u30d9\u30fc\u30b9\u3082\u3044\u304f\u3064\u304b\u88fd\u4f5c\u3057\u307e\u3057\u305f\u304c\u3001\u3059\u3079\u3066\u304c\u7d20\u6674\u3089\u3057\u3044\u97f3\u8272\u3092\u6301\u3063\u3066\u3044\u307e\u3059\u3002\u8907\u6570\u306e\u30a4\u30bf\u30ea\u30a2\u306e\u5de8\u5320\u306e\u304a\u6c17\u306b\u5165\u308a\u306e\u697d\u5668\u3002<\/p>\n\n\n\n

————————————–<\/p>\n\n\n\n

Carlo Giuseppe Testore allievo<\/p>\n\n\n\n

di Gio. Grancino in Contrada<\/p>\n\n\n\n

Larga di Milano, 1690<\/p>\n\n\n\n

————————————–<\/p>\n\n\n\n

————————————–<\/p>\n\n\n\n

Carlo Giuseppe Testore in Con<\/p>\n\n\n\n

trada larga di Milano, al<\/p>\n\n\n\n

signo dell\u2019 aquila, 1710<\/p>\n\n\n\n

————————————–<\/p>\n\n\n\n

Some instruments branded with the Royal Double-Eagle emblem around the label, mostly found in the \u2019cellos. Also occasionally branded on button at top of back. Violin dated 1708, body length 35.5 cm; upper bouts 16.8; lower 20.6; length of waist curves, 7.9. \uffe1650; \u2019cellos \uffe1800, 1960.<\/p>\n","protected":false},"excerpt":{"rendered":"

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