GAGLIANO, GENNARO (JANUARIUS)
\nSecond son of Alessandro. Born 1690. Died 1771. Worked at Naples. Supposed to have worked in early youth with Stradivari. Had first place of honour in this family until the last few years, when the instruments of Ferdinando and Niccol\u00f2 rapidly leaped into more recognition. Not a very prolific maker. Modelling something Stradivarian in conception, though the outline (particularly upper part), is less graceful. Body length usually 14 inches. Generally nicely broad and flat, but there are a few examples about on which he slightly raised the arching and made tiny divergencies at the sides. Workmanship must be recognised as completely artistic in rather superb neatness. Sound-holes beautifully graceful, but seem a shade shorter than those of Niccol\u00f2. Also set rather wider apart. Scrolls vary. Some characterised by greater breadth and freedom than those of the other Gaglianos, others (generally associated with early dated violins), assume something akin to the Stradivarian, and in their way quite splendid though not perfect, but the majority have not that consummate sweep we like to admire, but instead there is a noticeable decline into a sort of meanness as though unwilling to lift up its head. Also, the boss seems set very low. Fine belly wood, handsome backs and ribs. Varnish either of a light orange-brown or of darker reddish shade, both of subdued radiancy. None of the family quite approached Gennaro in this important matter, although a recipe in his own handwriting remained in the family, probably kept secret some essential ingredient. Tone rather full, of rich quality and responsive in all registers (except perhaps the higher notes of the third string which are often dull, though a lower adjusting of the bridge may remove the defect). First and second strings refreshingly clear, whilst the G string has that sonorous quality compelling the bow to exert its mastery. Some instruments have a beautifully thin purfling. Best period, 1730-1750. \u00a3200 in 1930 represented the average price. We think this figure rather excessive although certain American dealers may vociferously disagree, since they were placing 2000 dollars alongside the name at that time. Produced several small violas. Charmingly clear tone but without that real viola-depth quality properly belonging to the instrument.<\/p>\n\n\n\n
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General measurements: body length, 14-3\/4 inches; upper bouts, 7-1\/8; lower, 8-7\/8. \u2019Cellos of seraphic beauty, body length generally 29-1\/2 inches. A Stradivarius \u2019cello, dated 1732, has been attributed to Gennaro Gagliano. Irreproachable workmanship, arching slightly fuller, ribs narrower, and the warm-looking red-brown varnish applied more thickly than usually exhibited by the Cremona maker. Bought from Gennaro by an Italian, 1740; sold to M. Champsor (a well-known \u2019cellist at Marseilles), 1765; and passed into the possession of M. Bonnet (a Parisian), 1826.<\/p>\n\n\n\n
Januarius Gaglianus alumnus<\/p>\n\n\n\n
Antonii Straduarii fecit Neapoli Ao 17. .<\/p>\n\n\n\n
Gennaro Gagliano fecit Neap. 17. .<\/p>\n\n\n\n
Gennaro Gagliano fecit Neapoli<\/p>\n\n\n\n
Januarius Gagllanus filihius Alexandri.<\/p>\n\n\n\n
fecit Neap. 1732<\/p>\n\n\n\n
Januarius Gaglianus<\/p>\n\n\n\n
fecit Neapoli 1742<\/p>\n\n\n\n
Januarius Gallanus<\/p>\n\n\n\n
fecit Neap. 1760<\/p>\n\n\n\n
Several instruments unlabelled. Frequently neglected to date the few he inserted. Experts often experience difficulty in correctly assigning his best working years. Some have Strad labels, and have been purchased as such. Name sometimes found pencilled on the <\/p>\n\t\t","protected":false},"excerpt":{"rendered":"
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