Liuteria Italiana(Eric Blot) 4, page154-157<\/p>\n\n\n\n
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Born at Mirecourt, 1803. Fellow apprentice of J. B. Vuillaume at Mirecourt. Worked in Nice after 1830; then at Genoa; assisted Pressenda at Turin until 1849; and finally settled at Nice. Died 1871. Best violins made consistently to the theory of the Stradivarius pattern viewed through French eyes, exhibiting picturesque nicety sufficiently analogous to that maker as to strike and retain the attention. A few specimens greatly resemble the early productions of Pressenda particularly in the wood for backs, which is generally of the rather close-flamed material so much associated with the Turin maker. Cutting of the sound-holes perfectly accurate and splendidly posed. Arching free from the slightest frigidity. Margins and edges considered very thoughtfully. Force of character distinguishes the scroll. Whole contour enriched by unerring purfling. Always excellent wood, frequently medium wide-grain material for table. Reddish-brown varnish generally lacking transparency though of good texture, being often too thickly laid on, and possibly causing the tone to be less responsive than should be the case of such well built specimens. Occasionally got better results with a chestnut-brown shade of varnish, also an orange-red prettily shaded. Tonal quality varies, sometimes clear and flexible though not remarkably sweet, but also one less pliant under the bow. Catalogued in the U.S.A., 1930, at 500 dollars. Instruments date from 1819. Written and printed labels. Also produced violas and \u2019cellos.<\/p>\n\n\n\n
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