Violin maker
(1879 \u2013 1946)<\/p>\n\n\n\n
After studying in the Mittenwald school, Georg Ullmann worked in various workshops in Germany, Italy and France before settling in Milan in 1903. He is thought to have worked with with Eugenio Degani in Venice and also formed a relationship with the Dvorak workshops in Prague. In 1915 he left Italy and settled in Zurich. <\/p>\n\n\n\n
\u30df\u30c3\u30c6\u30f3\u30f4\u30a1\u30eb\u30c8\u306e\u5b66\u6821\u3067\u5b66\u3093\u3060\u5f8c\u3001Georg Ullmann\u306f\u30c9\u30a4\u30c4\u3001\u30a4\u30bf\u30ea\u30a2\u3001\u30d5\u30e9\u30f3\u30b9\u306e\u3055\u307e\u3056\u307e\u306a\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u3067\u50cd\u304d\u30011903\u5e74\u306b\u30df\u30e9\u30ce\u306b\u5b9a\u4f4f\u3057\u307e\u3057\u305f\u3002\u5f7c\u306f\u30f4\u30a7\u30cd\u30c4\u30a3\u30a2\u306eEugenio Degani\u3068\u5354\u529b\u3057\u3001\u30d7\u30e9\u30cf\u306eDvorak\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u3068\u3082\u95a2\u4fc2\u3092\u7bc9\u3044\u305f\u3068\u8003\u3048\u3089\u308c\u3066\u3044\u307e\u3059\u3002 1915\u5e74\u306b\u5f7c\u306f\u30a4\u30bf\u30ea\u30a2\u3092\u96e2\u308c\u3001\u30c1\u30e5\u30fc\u30ea\u30c3\u30d2\u306b\u5b9a\u4f4f\u3057\u307e\u3057\u305f\u3002 <\/p>\n\n\n\n
\u30a6\u30eb\u30de\u30f3\u3000(1879-1946)<\/p>\n\n\n\n
Born at Bad-Elster (Saxony), 1879. Studied at Markneukirchen. Worked for Dvorak at Prague, and for Degani at Venice. Established at Milan, 1901. Employed by the principal Conservatorios in Italy. Lived at Turin, 1919. Settled at Zurich, 1921. Died 1946. Attractive modelling on Stradivarian principles. None of the minute details accentuated beyond artistic boundaries, and no possible disappointment as the bow travels over the strings. Golden amber and red varnishes applied without the slighest sign of anything ill considered.<\/p>\n\n\n\n
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Georgius Ullmannius<\/p>\n\n\n\n
fecit Turicum 1920<\/p>\n\n\n\n
(with signature diagonally on left and right)<\/p>\n\n\n\n
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