{"id":1858,"date":"2021-06-13T13:31:22","date_gmt":"2021-06-13T04:31:22","guid":{"rendered":"http:\/\/192.168.0.250\/izuta\/violin\/?p=1858"},"modified":"2023-01-21T11:31:26","modified_gmt":"2023-01-21T02:31:26","slug":"silvestre-h-c-1845-1913","status":"publish","type":"post","link":"https:\/\/izuta-violin.co.jp\/makers\/archives\/1858","title":{"rendered":"SILVESTRE, H.C. (1845-1913)"},"content":{"rendered":"\n<p><a href=\"https:\/\/tarisio.com\/cozio-archive\/browse-the-archive\/makers\/maker\/?Maker_ID=1250\">https:\/\/tarisio.com\/cozio-archive\/browse-the-archive\/makers\/maker\/?Maker_ID=1250<\/a><\/p>\n\n\n\n<p>SILVESTRE, HIPPOLYTE CHR\u00c9TIEN (1845-1913)<\/p>\n\n\n\n<p>Born at Sommerviller, 1845. Pupil of Pierre and Hippolyte at Lyons. Succeeded to the control of establishment, 1865. Moved to Paris, 1884, and traded under the name of \u201cSilvestre neveu\u201d. Became associated with Maucotel, 1900. Died 1913. Recipient of Exhibition medals at Vienna and Paris. Master craftsman in his modelling of the Stradivarius and Guarnerius. Reddish brown varnish of Italian suppleness, plentifully applied, and very transparent. Every detail splendidly wrought. Nearly always wide grain belly wood. Tonal quality of fine and responsive brilliancy. \u00a350, 1930.<\/p>\n\n\n\n<p> 1845\u5e74\u3001\u30bd\u30e1\u30eb\u30f4\u30a3\u30ec\u30fc\u306b\u751f\u307e\u308c\u308b\u3002\u30ea\u30e8\u30f3\u306e\u30d4\u30a8\u30fc\u30eb\u3068\u30d2\u30c3\u30dd\u30ea\u30c6\u306e\u77b3\u5b54\u3002 1865\u5e74\u306b\u8a2d\u7acb\u306e\u652f\u914d\u306b\u6210\u529f\u30021884\u5e74\u306b\u30d1\u30ea\u306b\u79fb\u308a\u3001\u300cSilvestre neveu\u300d\u306e\u540d\u524d\u3067\u53d6\u5f15\u3055\u308c\u305f\u3002 1900\u5e74\u306b\u30e2\u30fc\u30b3\u30c6\u30eb\u3068\u63d0\u643a\u30021913\u5e74\u306b\u6b7b\u53bb\u3002\u30a6\u30a3\u30fc\u30f3\u3068\u30d1\u30ea\u3067\u5c55\u793a\u30e1\u30c0\u30eb\u3092\u53d7\u8cde\u3002 \u30b9\u30c8\u30e9\u30c7\u30a3\u30d0\u30ea\u30a6\u30b9\u3068\u30b0\u30a1\u30eb\u30cd\u30ea\u30a6\u30b9\u306e\u30e2\u30c7\u30ea\u30f3\u30b0\u306e\u30de\u30b9\u30bf\u30fc\u8077\u4eba\u3002 \u30a4\u30bf\u30ea\u30a2\u306e\u3057\u306a\u3084\u304b\u3055\u306e\u8d64\u8910\u8272\u306e\u30cb\u30b9\u3001\u305f\u3063\u3077\u308a\u3068\u5857\u3089\u308c\u3001\u975e\u5e38\u306b\u900f\u660e\u3067\u3059\u3002 \u7d30\u90e8\u307e\u3067\u898b\u4e8b\u306b\u4ed5\u4e0a\u3052\u3089\u308c\u3066\u3044\u307e\u3059\u3002 \u307b\u3068\u3093\u3069\u306e\u5834\u5408\u3001\u5e83\u7c92\u306e\u30d9\u30ea\u30fc\u30a6\u30c3\u30c9\u3002 \u4e0a\u8cea\u3067\u53cd\u5fdc\u306e\u826f\u3044\u8f1d\u304d\u306e\u97f3\u8cea\u3002  <\/p>\n\n\n\n<p>H. C. Silvestre neveu<\/p>\n\n\n\n<p>\u00e0 Lyon en 1872. No. 44<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p>Hippolyte Chr\u00e9tien<\/p>\n\n\n\n<p>Silvestre neveu<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p>Silvestre et Maucotel<\/p>\n\n\n\n<p>Paris 1904 No. . . .<\/p>\n\n\n\n<p>Silvestre and Maucotel also produced a high quality of tested gut strings named Miracle and Tricolore. \u00a3125, 1960.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/tarisio.com\/cozio&hellip;<\/p>\n","protected":false},"author":1,"featured_media":2168,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-makers"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/comments?post=1858"}],"version-history":[{"count":2,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1858\/revisions"}],"predecessor-version":[{"id":3400,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1858\/revisions\/3400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/media?parent=1858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/categories?post=1858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/tags?post=1858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}