Worked in Naples, 1753-1792. Recorded that he worked and studied with Nicola Gagliano. Whether this is correct or otherwise is of little consequence. It is known that his violins are very much like the Gagliano in outline and arching, and that in consequence, they have frequently been subjected to the unscrupulous exploits of dealers by inserting easily obtained, and reprinted labels of Gagliano. Sound-holes more near to Amatese. Scrolls often more neatly cut and prettier than those of Gagliano, moreover, quite distinctive. It is only necessary to look cursorily at the workmanship to be convinced that the tone will be rather splendid. Wood invariably prettily marked. Backs frequently of two pieces cut on the slab, also occasionally of sugar maple rather resembling oak. Reddish brown and yellowish brown shades of varnish, thoroughly applied all over,and rather brilliant, of a texture that will last for centuries. Tone may not be one of that unique type of undeviating evenness, but rather of exquisite quality, though not powerful we get something as far-reaching in clearness and sonority.<\/p>\n\n\n\n
\n1753\u5e74\u304b\u30891792\u5e74\u306b\u30ca\u30dd\u30ea\u3067\u50cd\u3044\u305f\u3002\u5f7c\u304c\u30cb\u30b3\u30ed\u30fb\u30ac\u30b0\u30ea\u30a2\u30fc\u30ce\u3068\u4e00\u7dd2\u306b\u50cd\u3044\u3066\u52c9\u5f37\u3057\u305f\u3053\u3068\u3092\u8a18\u9332\u3057\u307e\u3057\u305f\u3002\u3053\u308c\u304c\u6b63\u3057\u3044\u304b\u3069\u3046\u304b\u306f\u307b\u3068\u3093\u3069\u91cd\u8981\u3067\u306f\u3042\u308a\u307e\u305b\u3093\u3002\u5f7c\u306e\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u306f\u3001\u8f2a\u90ed\u3068\u30a2\u30fc\u30c1\u304c\u30ac\u30ea\u30a2\u30fc\u30ce\u306b\u975e\u5e38\u306b\u4f3c\u3066\u3044\u308b\u3053\u3068\u304c\u77e5\u3089\u308c\u3066\u304a\u308a\u3001\u305d\u306e\u7d50\u679c\u3001\u7c21\u5358\u306b\u5165\u624b\u3067\u304d\u3001\u518d\u7248\u3055\u308c\u305f\u30ac\u30ea\u30a2\u30fc\u30ce\u306e\u30e9\u30d9\u30eb\u3092\u633f\u5165\u3059\u308b\u3053\u3068\u306b\u3088\u3063\u3066\u3001\u30c7\u30a3\u30fc\u30e9\u30fc\u306e\u60aa\u7528\u306b\u3055\u3089\u3055\u308c\u308b\u3053\u3068\u304c\u3088\u304f\u3042\u308a\u307e\u3059\u3002\u30a2\u30de\u30c6\u30fc\u30bc\u306b\u8fd1\u3044\u30b5\u30a6\u30f3\u30c9\u30db\u30fc\u30eb\u3002\u5dfb\u7269\u306f\u3057\u3070\u3057\u3070\u30ac\u30ea\u30a2\u30fc\u30ce\u306e\u3082\u306e\u3088\u308a\u3082\u304d\u3061\u3093\u3068\u30ab\u30c3\u30c8\u3055\u308c\u3066\u304d\u308c\u3044\u3067\u3042\u308a\u3001\u3055\u3089\u306b\u975e\u5e38\u306b\u7279\u5fb4\u7684\u3067\u3059\u3002\u4ed5\u4e0a\u304c\u308a\u3092\u3056\u3063\u3068\u898b\u3066\u3001\u97f3\u8272\u304c\u304b\u306a\u308a\u7d20\u6674\u3089\u3057\u3044\u3068\u78ba\u4fe1\u3059\u308b\u3060\u3051\u3067\u3059\u3002\u6728\u306f\u5e38\u306b\u304d\u308c\u3044\u306b\u30de\u30fc\u30af\u3055\u308c\u3066\u3044\u307e\u3059\u3002\u30b9\u30e9\u30d6\u306b\u30ab\u30c3\u30c8\u3055\u308c\u305f2\u3064\u306e\u30d4\u30fc\u30b9\u306e\u80cc\u4e2d\u304c\u983b\u7e41\u306b\u3042\u308a\u3001\u6642\u306b\u306f\u30aa\u30fc\u30af\u306b\u4f3c\u305f\u30b5\u30c8\u30a6\u30ab\u30a8\u30c7\u306e\u80cc\u4e2d\u3082\u3042\u308a\u307e\u3059\u3002\u8d64\u8910\u8272\u3068\u9ec4\u8910\u8272\u306e\u30ef\u30cb\u30b9\u306e\u8272\u5408\u3044\u306f\u3001\u5168\u4f53\u306b\u5b8c\u5168\u306b\u5857\u5e03\u3055\u308c\u3066\u304a\u308a\u3001\u4f55\u4e16\u7d00\u306b\u3082\u308f\u305f\u3063\u3066\u7d9a\u304f\u30c6\u30af\u30b9\u30c1\u30e3\u30fc\u306e\u304b\u306a\u308a\u9bae\u3084\u304b\u3067\u3059\u3002\u30c8\u30fc\u30f3\u306f\u3001\u305d\u306e\u72ec\u7279\u306e\u30bf\u30a4\u30d7\u306e\u4e0d\u5909\u306e\u5747\u4e00\u6027\u306e1\u3064\u3067\u306f\u306a\u304f\u3001\u7d76\u5999\u306a\u54c1\u8cea\u306e1\u3064\u3067\u3042\u308b\u53ef\u80fd\u6027\u304c\u3042\u308a\u307e\u3059\u304c\u3001\u5f37\u529b\u3067\u306f\u3042\u308a\u307e\u305b\u3093\u304c\u3001\u660e\u77ad\u3055\u3068\u97ff\u304d\u306e\u70b9\u3067\u5e83\u7bc4\u56f2\u306b\u308f\u305f\u308b\u3082\u306e\u304c\u5f97\u3089\u308c\u307e\u3059\u3002 \n\n<\/p>\n\n\n\n
Narrow patterned and bulgy-arched violins bearing Eberle\u2019s labels occasionally come on to the market, probably Tyrolean products.<\/p>\n\n\n\n
\nEberle\u306e\u30e9\u30d9\u30eb\u304c\u4ed8\u3044\u305f\u3001\u5e45\u306e\u72ed\u3044\u30d1\u30bf\u30fc\u30f3\u3067\u81a8\u3089\u3093\u3060\u30a2\u30fc\u30c1\u578b\u306e\u30d0\u30a4\u30aa\u30ea\u30f3\u304c\u6642\u6298\u5e02\u5834\u306b\u51fa\u56de\u3063\u3066\u3044\u307e\u3059\u3002\u304a\u305d\u3089\u304f\u30c1\u30ed\u30ea\u30a2\u30f3\u88fd\u54c1\u3067\u3059\u3002 \n\n<\/p>\n\n\n\n
Thomas Eberle<\/p>\n\n\n\n
fecit Neap. 1775.<\/p>\n\n\n\n
(written and printed)<\/p>\n\n\n\n
Tomaso Eberle fecit<\/p>\n\n\n\n
Nap. 1774<\/p>\n\n\n\n
Thomas Heberl<\/p>\n\n\n\n
Fecit Neap. 1780<\/p>\n\n\n\n
Third label seems German, and may be in violins emanating from Tyrolese workshops. The words \u201cGesu e Maria\u201d sometimes inscribed or printed on a small label across the upper corner blocks. \u00a3300, 1959.<\/p>\n\t\t","protected":false},"excerpt":{"rendered":"
Worked in Naples, 1753-17…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1926","post","type-post","status-publish","format-standard","hentry","category-makers"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/comments?post=1926"}],"version-history":[{"count":0,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/1926\/revisions"}],"wp:attachment":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/media?parent=1926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/categories?post=1926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/tags?post=1926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}