{"id":2008,"date":"2021-05-25T16:23:44","date_gmt":"2021-05-25T07:23:44","guid":{"rendered":"http:\/\/192.168.0.250\/izuta\/violin\/?p=408"},"modified":"2021-05-25T16:23:44","modified_gmt":"2021-05-25T07:23:44","slug":"marsigliese-caruana-biagio-1885-1957","status":"publish","type":"post","link":"https:\/\/izuta-violin.co.jp\/makers\/archives\/2008","title":{"rendered":"MARSIGLIESE, Caruana Biagio ( 1885 – 1957 )"},"content":{"rendered":"

\u30ab\u30eb\u30a2\u30ca\u3000\u30d3\u30a2\u30c3\u30b8\u30e7\u3000\u30de\u30eb\u30b7\u30a8\u30fc\u30bc (1885-1957)<\/p>\n

MARSIGLIESE, Biagio Caruana .Rome Italy. Double bassist and violin maker active from 1905. Gold medals awarded at Padua, Rome, Florence, and Cremona. Basses with fine orange-yellow varnish. Violins, violas, and cellos of good quality. B. Caruana Marsigliese \/ Premiato Studio di Liuteria Artistica \/ opera N.. Roma-Via Crescenzio, 103 anno 1949 Biagio Marsigliese – Siciliano \/ Fece anno 1946. Roma Biagio Caruana Marsigliese \/ fece in Roma anno 1948 Biagio Marsigliese Caruana \/ fece in Roma anno 1942. XX<\/p>\n

———————-<\/p>\n

Double bass player. Worked in Rome from 1905. Received gold medals at Padua, Rome, Florence and Cremona (1949). Specialised in making double basses, now much used by Italians. Warm looking orange yellow varnish. Also splendid violins, violas and \u2019cellos.<\/p>\n

———————————————————–<\/p>\n

B. Caruana Marsigliese<\/p>\n

premiato studio di liuteria artistica<\/p>\n

opera N. Roma-Via Crescenzio, 103 anno 1949<\/p>\n

———————————————————–<\/p>\n

———————————-<\/p>\n

Biagio Marsigliese-Siciliano<\/p>\n

Fece anno 1946. Roma<\/p>\n

———————————-<\/p>\n

(with signature)<\/p>\n

———————————<\/p>\n

Biagio Caruana Marsigliese<\/p>\n

fece in Roma anno 1948<\/p>\n

———————————<\/p>\n

(with design)<\/p>\n

————————————<\/p>\n

Biagio marsigliese Caruana<\/p>\n

fece in Roma anno 1942. XX<\/p>\n

————————————<\/p>\n

(with design)<\/p>\n","protected":false},"excerpt":{"rendered":"

\u30ab\u30eb\u30a2\u30ca\u3000\u30d3\u30a2\u30c3\u30b8\u30e7\u3000\u30de\u30eb\u30b7\u30a8\u30fc\u30bc (1885-1…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-2008","post","type-post","status-publish","format-standard","hentry","category-makers"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/2008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/comments?post=2008"}],"version-history":[{"count":0,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/2008\/revisions"}],"wp:attachment":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/media?parent=2008"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/categories?post=2008"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/tags?post=2008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}