{"id":2024,"date":"2021-05-30T15:20:20","date_gmt":"2021-05-30T06:20:20","guid":{"rendered":"http:\/\/192.168.0.250\/izuta\/violin\/?p=508"},"modified":"2023-06-30T16:35:38","modified_gmt":"2023-06-30T07:35:38","slug":"mougenot-leon","status":"publish","type":"post","link":"https:\/\/izuta-violin.co.jp\/makers\/archives\/2024","title":{"rendered":"MOUGENOT, L\u00e9on Victor (1875-1954)"},"content":{"rendered":"\n
Tarisio<\/td>https:\/\/tarisio.com\/cozio-archive\/browse-the-archive\/makers\/maker\/?Maker_ID=1415<\/a><\/td><\/tr>
Amati<\/td>https:\/\/amati.com\/maker\/mougenot-leon-victor<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

\u6bcd\u89aa\u306e\u540d\u524d\u3067\u3042\u308b\u300cL\u00e9onMougenot-Gauch\u00e9\u300d\u3068\u3044\u3046\u540d\u524d\u3067\u306f\u3001\u4fa1\u683c\u304c\u82e5\u5e72\u52a3\u3063\u3066\u3044\u307e\u3059\u3002<\/p>\n\n\n\n

Career
\nL\u00e9on MOUGENOT started his apprenticeship with Emile LAURENT and then joined Georges MOUGENOT, a cousin of his father, in Brussels from 1887 to 1894.
\nNe next worked for Paul BLANCHARD in Lyon, from 1894 – 1896, Paul JOMBARD, Paris in from 1896 – 1898, and HILLS OF London, until 1899 when he opened his own workshop in Mirecourt at 4 avenue Victor Hugo.<\/p>\n\n\n\n

\u30ad\u30e3\u30ea\u30a2
\n \u30ec\u30aa\u30f3\u30fb\u30e0\u30fc\u30b8\u30a7\u30ce\u306f\u30a8\u30df\u30fc\u30eb\u30fb\u30ed\u30fc\u30ec\u30f3\u30c8\u306e\u3082\u3068\u3067\u898b\u7fd2\u3044\u3092\u59cb\u3081\u30011887\u5e74\u304b\u30891894\u5e74\u307e\u3067\u30d6\u30ea\u30e5\u30c3\u30bb\u30eb\u3067\u7236\u306e\u3044\u3068\u3053\u3067\u3042\u308b\u30b8\u30e7\u30eb\u30b8\u30e5\u30fb\u30e0\u30fc\u30b8\u30a7\u30ce\u306b\u52a0\u308f\u308a\u307e\u3057\u305f\u3002
\n \u30cd\u306f\u6b21\u306b\u30011894 \u5e74\u304b\u3089 1896 \u5e74\u307e\u3067\u30ea\u30e8\u30f3\u306e\u30dd\u30fc\u30eb \u30d6\u30e9\u30f3\u30c1\u30e3\u30fc\u30c9\u30011896 \u5e74\u304b\u3089 1898 \u5e74\u307e\u3067\u30d1\u30ea\u306e\u30dd\u30fc\u30eb \u30b8\u30e7\u30f3\u30d0\u30eb\u30c9\u3001\u305d\u3057\u3066 1899 \u5e74\u306b\u30f4\u30a3\u30af\u30c8\u30eb \u30e6\u30fc\u30b4\u901a\u308a 4 \u756a\u5730\u306b\u30df\u30eb\u30af\u30fc\u30eb\u306b\u81ea\u5206\u306e\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u3092\u30aa\u30fc\u30d7\u30f3\u3059\u308b\u307e\u3067\u30ed\u30f3\u30c9\u30f3\u306e\u30d2\u30eb\u30ba\u3067\u50cd\u304d\u307e\u3057\u305f\u3002<\/p>\n\n\n\n

Awards and medals
\nGold medal at the 1909 Nancy international exhibition.<\/p>\n\n\n\n

Production
\nThree different qualities in his production which can be classified by their label :
\n1 st : \u00ab L\u00e9on Mougenot \u00bb with date and number i.e. #2101
\n2 sd : \u00ab L\u00e9on Mougenot Jacquet Gand \u00bb, or \u00ab L\u00e9on Mougenot Gauch\u00e9 \u00bb with date. i.e. #2244
\n3 rd : \u00ab Fait dans l’atelier de L\u00e9on Mougenot \u00bb or labeled \u00ab Copie de A. Stradivarius \u00bb.<\/p>\n\n\n\n

JACQUET was the name of his wife, who belonged to the GAND family of Mirecourt , a different family from the well-known GAND of Paris.
\nGAUCH\u00c9 was his mother’s name.<\/p>\n\n\n\n

Works
\nGenerally violins labeled \u00abL\u00e9on Mougenot\u00bb with date and number are stamped to the inside back L\u2021M. inside a circle. These violins are also signed internally on the table or on the table and back and some of them are dated on the inside back. We have scarcely found the round stamp to the inside back of violins bearing the label \u00abL\u00e9on Mougenot Jacquet Gand\u00bb, but the few we have seen were bearing a number on the label and were signed on the inside table and back.
\nAs scarcely we have found the round stamp inside violins labeled \u00abL\u00e9on Mougenot Gauch\u00e9\u00bb, but none of them were signed as far as we know.
\nAny Leon MOUGENOT instrument with the stamp on the inside back with L\u2021M in a circle was personnaly made by LM and not a workshop instrument.<\/p>\n\n\n\n

\u4f5c\u54c1
\n \u4e00\u822c\u306b\u3001\u65e5\u4ed8\u3068\u756a\u53f7\u306e\u5165\u3063\u305f\u300cL\u00e9on Mougenot\u300d\u3068\u30e9\u30d9\u30eb\u4ed8\u3051\u3055\u308c\u305f\u30d0\u30a4\u30aa\u30ea\u30f3\u306f\u3001\u88cf\u5074\u306eL\u2021M\u306b\u523b\u5370\u3055\u308c\u3066\u3044\u307e\u3059\u3002 \u5186\u306e\u4e2d\u306b\u3002 \u3053\u308c\u3089\u306e\u30d0\u30a4\u30aa\u30ea\u30f3\u306f\u3001\u30c6\u30fc\u30d6\u30eb\u307e\u305f\u306f\u30c6\u30fc\u30d6\u30eb\u3068\u88cf\u9762\u306b\u5185\u90e8\u7684\u306b\u7f72\u540d\u3055\u308c\u3066\u304a\u308a\u3001\u305d\u308c\u3089\u306e\u3044\u304f\u3064\u304b\u306f\u88cf\u9762\u306e\u5185\u5074\u306b\u65e5\u4ed8\u304c\u4ed8\u3051\u3089\u308c\u3066\u3044\u307e\u3059\u3002 \u00abL\u00e9on Mougenot Jacquet Gand\u00bb \u3068\u3044\u3046\u30e9\u30d9\u30eb\u306e\u4ed8\u3044\u305f\u30d0\u30a4\u30aa\u30ea\u30f3\u306e\u88cf\u5074\u306e\u4e38\u3044\u523b\u5370\u306f\u307b\u3068\u3093\u3069\u898b\u3064\u304b\u308a\u307e\u305b\u3093\u3067\u3057\u305f\u304c\u3001\u30e9\u30d9\u30eb\u306b\u756a\u53f7\u304c\u4ed8\u3044\u3066\u3044\u3066\u3001\u8868\u3068\u88cf\u306b\u7f72\u540d\u3055\u308c\u3066\u3044\u308b\u3082\u306e\u306f\u307b\u3068\u3093\u3069\u3042\u308a\u307e\u305b\u3093\u3067\u3057\u305f\u3002
\n \u00abL\u00e9on Mougenot Gauch\u00e9\u00bb \u3068\u3044\u3046\u30e9\u30d9\u30eb\u306e\u4ed8\u3044\u305f\u30d0\u30a4\u30aa\u30ea\u30f3\u306e\u4e38\u3044\u523b\u5370\u306f\u307b\u3068\u3093\u3069\u898b\u3064\u304b\u308a\u307e\u305b\u3093\u3067\u3057\u305f\u304c\u3001\u79c1\u305f\u3061\u304c\u77e5\u308b\u9650\u308a\u3001\u305d\u308c\u3089\u306e\u3069\u308c\u3082\u30b5\u30a4\u30f3\u3055\u308c\u3066\u3044\u307e\u305b\u3093\u3067\u3057\u305f\u3002
\n \u88cf\u5074\u306bL\u2021M\u306e\u523b\u5370\u304c\u5165\u3063\u305fLeon MOUGENOT<\/p>\n\n\n\n

His violins are made mainly after Stradivari and more rarely after Guarneri models, the finest being coated with a rich red-brown or golden-brown varnish. He produced some cellos too but we haven’t been able to find or hear about any viola so far. His production, both violins and cellos, has gained a great reputation both for its workmanship and tonal qualities.<\/p>\n\n\n\n

\u5f7c\u306e\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u306f\u4e3b\u306b\u30b9\u30c8\u30e9\u30c7\u30a3\u30f4\u30a1\u30ea\u3001\u307e\u308c\u306b\u30b0\u30a1\u30eb\u30cd\u30ea\u306e\u30e2\u30c7\u30eb\u306b\u5f93\u3063\u3066\u4f5c\u3089\u308c\u3001\u6700\u9ad8\u7d1a\u306e\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u306f\u8d64\u8336\u8272\u307e\u305f\u306f\u91d1\u8336\u8272\u306e\u30cb\u30b9\u3067\u30b3\u30fc\u30c6\u30a3\u30f3\u30b0\u3055\u308c\u3066\u3044\u307e\u3059\u3002 \u5f7c\u306f\u30c1\u30a7\u30ed\u3082\u3044\u304f\u3064\u304b\u5236\u4f5c\u3057\u307e\u3057\u305f\u304c\u3001\u3053\u308c\u307e\u3067\u306e\u3068\u3053\u308d\u30d3\u30aa\u30e9\u3092\u898b\u3064\u3051\u308b\u3053\u3068\u3082\u805e\u304f\u3053\u3068\u3082\u3067\u304d\u307e\u305b\u3093\u3067\u3057\u305f\u3002 \u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u3068\u30c1\u30a7\u30ed\u306e\u4e21\u65b9\u3067\u5f7c\u306e\u4f5c\u54c1\u306f\u3001\u305d\u306e\u6280\u91cf\u3068\u97f3\u8272\u306e\u8cea\u306e\u4e21\u65b9\u3067\u9ad8\u3044\u8a55\u4fa1\u3092\u5f97\u3066\u3044\u307e\u3059\u3002<\/p>\n\n\n\n

Beside the production bearing his own labels he worked for some other makers of his time among them Marcel VATELOT, Joseph TOURNIER, L\u00e9on BERNARDEL, Joseph HEL. On a more regular basis he made violins for Pierre HEL (Stradivarius Moderne) for whom he worked at least between 1919 and 1928 and for Paul JOMBAR as early as 1907. He also made violins for the HILL brothers and his work is still well appreciated in Great Britain.<\/p>\n\n\n\n

The first violin we know from this maker is a violin bearing a Stradivarius label and signed to the inside table : \u00ab Leon Mougenot Gauche. Lyon. 1896 \u00bb. The last one is a violin bearing the \u00ab L\u00e9on Mougenot Gauch\u00e9 \u00bb label and dated 1950.<\/p>\n\n\n\n

\u81ea\u8eab\u306e\u30ec\u30fc\u30d9\u30eb\u3092\u6301\u3064\u30d7\u30ed\u30c0\u30af\u30b7\u30e7\u30f3\u306e\u508d\u3089\u3001\u30de\u30eb\u30bb\u30eb\u30fb\u30f4\u30a1\u30c6\u30ed\u30fc\u3001\u30b8\u30e7\u30bb\u30d5\u30fb\u30c8\u30a5\u30eb\u30cb\u30a8\u3001\u30ec\u30aa\u30f3\u30fb\u30d9\u30eb\u30ca\u30eb\u30c7\u30eb\u3001\u30b8\u30e7\u30bb\u30d5\u30fb\u30d8\u30eb\u306a\u3069\u3001\u540c\u6642\u4ee3\u306e\u4ed6\u306e\u30e1\u30fc\u30ab\u30fc\u3067\u50cd\u3044\u3066\u3044\u307e\u3057\u305f\u3002 \u3088\u308a\u5b9a\u671f\u7684\u306b\u3001\u5f7c\u306f\u5c11\u306a\u304f\u3068\u3082 1919 \u5e74\u304b\u3089 1928 \u5e74\u306b\u304b\u3051\u3066\u306f\u30d4\u30a8\u30fc\u30eb HEL (\u30b9\u30c8\u30e9\u30c7\u30a3\u30f4\u30a1\u30ea\u30a6\u30b9 \u30e2\u30c7\u30cd) \u306e\u305f\u3081\u306b\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u3092\u5236\u4f5c\u3057\u30011907 \u5e74\u306b\u306f\u30dd\u30fc\u30eb \u30b8\u30e7\u30f3\u30d0\u30fc\u30eb\u306e\u305f\u3081\u306b\u3082\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u3092\u5236\u4f5c\u3057\u307e\u3057\u305f\u3002 \u30b0\u30ec\u30fc\u30c8\u30d6\u30ea\u30c6\u30f3\u3002<\/p>\n\n\n\n

Collaborators :
All along his professional life he has trained more than 75 apprentices or collaborators among whom :
BISH Paul,
BISIACH Carlo and Leandro,
CROLET Paul
DUPUY Philippe ,
ENEL Charles,
ENEL Pierre,
JACQUEMIN Ren\u00e9,
JOMBAR Louis et Jean-Paul,
MILLANT Max ,
RAGOT Lucien,
SCHMITT Lucien, (1910-1912)
STRIEBIG Jean,
VATELOT Marcel,
VILLAUME Gustave<\/p>\n\n\n\n

Violin maker
\n(maker: b. 1874)
\nL\u00e9on Mougenot first learned violin making under \u00c9mile Laurent, and later apprenticed with his father’s cousin Georges in Brussels from 1887 to 1894. Mougenot returned to France, working in Lyon and Paris and later at the London firm of W.E. Hill & Sons. In 1899 he finally returned to his hometown of Mirecourt, where he set up a shop that trained over 65 French and foreign makers in the course of its history, and produced an enormous number of instruments along the way. Most are built on the models of Stradivari, Guarneri , Lupot, or Vuillaume, and a red alcohol-based varnish is typical. <\/p>\n\n\n\n

\u30d0\u30a4\u30aa\u30ea\u30f3\u88fd\u4f5c\u8005
\n \uff08\u30e1\u30fc\u30ab\u30fc\uff1a1874\u5e74\u9803\uff09
\n \u30ec\u30aa\u30f3\u30fb\u30e0\u30b8\u30a7\u30ce\u306f\u3001\u30a8\u30df\u30fc\u30eb\u30fb\u30ed\u30fc\u30e9\u30f3\u306e\u4e0b\u3067\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u88fd\u4f5c\u3092\u5b66\u3073\u30011887\u5e74\u304b\u30891894\u5e74\u307e\u3067\u30d6\u30ea\u30e5\u30c3\u30bb\u30eb\u3067\u7236\u306e\u3044\u3068\u3053\u306e\u30b8\u30e7\u30eb\u30b8\u30e5\u306b\u5e2b\u4e8b\u3057\u305f\u3002 \u30d2\u30eb\uff06\u30b5\u30f3\u30ba\u3002 1899\u5e74\u3001\u5f7c\u306f\u3064\u3044\u306b\u6545\u90f7\u306e\u30df\u30eb\u30af\u30fc\u30eb\u306b\u623b\u308a\u3001\u305d\u306e\u6b74\u53f2\u306e\u4e2d\u306765\u4ee5\u4e0a\u306e\u30d5\u30e9\u30f3\u30b9\u3068\u5916\u56fd\u306e\u88fd\u4f5c\u8005\u3092\u8a13\u7df4\u3057\u3001\u305d\u306e\u904e\u7a0b\u3067\u81a8\u5927\u306a\u6570\u306e\u697d\u5668\u3092\u751f\u7523\u3059\u308b\u30b7\u30e7\u30c3\u30d7\u3092\u8a2d\u7acb\u3057\u307e\u3057\u305f\u3002 \u307b\u3068\u3093\u3069\u306f\u3001\u30b9\u30c8\u30e9\u30c7\u30a3\u30d0\u30ea\u3001\u30b0\u30a1\u30eb\u30cd\u30ea\u3001\u30ea\u30e5\u30dd\u30fc\u3001\u307e\u305f\u306f\u30f4\u30a3\u30e8\u30fc\u30e0\u306e\u30e2\u30c7\u30eb\u306b\u57fa\u3065\u3044\u3066\u69cb\u7bc9\u3055\u308c\u3066\u304a\u308a\u3001\u8d64\u3044\u30a2\u30eb\u30b3\u30fc\u30eb\u30d9\u30fc\u30b9\u306e\u30ef\u30cb\u30b9\u304c\u5178\u578b\u7684\u3067\u3059\u3002<\/p>\n\n\n\n

http:\/\/tarisio.com\/cozio-archive\/browse-the-archive\/makers\/
2014\/11\/28<\/p>\n\n\n\n

VIADUCT VIOLINS<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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