Son of a Marquis. Born at Naples, 1640. Seriously studied music, and became fairly adept as a performer on the mandoline and violin. Also whiled away a few hours constructing primitive lutes, mandolines and guitars. Compelled in youth, to leave the city after fighting a duel which ended fatally for his antagonist. Withdrew to a dense forest in the neighbourhood of Marighanetto Borgo, and whilst there, amused himself by carving violin-shaped instruments on the trunks of trees. Then, by tapping or sounding certain woods, he had cut down, found out their acoustical differences, and was thus incited to try his not entirely unsuited hand at making violins. Several months passed amid these romantic surroundings (possibly not then fully appreciated by him), then, finding that the \u201cpolizia\u201d had practically ceased to busy themselves with his tragedy, he wandered northwards, and ultimately arrived at Cremona.<\/p>\n\n\n\n
\u4faf\u7235\u306e\u606f\u5b50\u3002 1640\u5e74\u3001\u30ca\u30dd\u30ea\u306b\u751f\u307e\u308c\u308b\u3002\u97f3\u697d\u3092\u771f\u5263\u306b\u5b66\u3073\u3001\u30de\u30f3\u30c9\u30ea\u30f3\u3068\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u306e\u6f14\u594f\u8005\u3068\u3057\u3066\u304b\u306a\u308a\u719f\u9054\u3057\u305f\u3002 \u307e\u305f\u3001\u6570\u6642\u9593\u96e2\u308c\u3066\u3001\u539f\u59cb\u7684\u306a\u30ea\u30e5\u30fc\u30c8\u3001\u30de\u30f3\u30c9\u30ea\u30f3\u3001\u30ae\u30bf\u30fc\u3092\u88fd\u4f5c\u3057\u307e\u3057\u305f\u3002 \u82e5\u304f\u3057\u3066\u3001\u5f7c\u306e\u6575\u5bfe\u8005\u306e\u305f\u3081\u306b\u81f4\u547d\u7684\u306b\u7d42\u308f\u3063\u305f\u6c7a\u95d8\u3068\u6226\u3063\u305f\u5f8c\u3001\u8857\u3092\u53bb\u308b\u3053\u3068\u3092\u4f59\u5100\u306a\u304f\u3055\u308c\u307e\u3057\u305f\u3002 \u30de\u30ea\u30ac\u30cd\u30c3\u30c8\u30fb\u30dc\u30eb\u30b4\u8fd1\u90ca\u306e\u9b31\u84bc\u3068\u3057\u305f\u68ee\u306b\u5f15\u304d\u3053\u3082\u308a\u3001\u305d\u306e\u9593\u3001\u6728\u306e\u5e79\u306b\u30d0\u30a4\u30aa\u30ea\u30f3\u306e\u5f62\u3092\u3057\u305f\u697d\u5668\u3092\u5f6b\u3063\u3066\u697d\u3057\u3093\u3060\u3002 \u305d\u308c\u304b\u3089\u3001\u7279\u5b9a\u306e\u68ee\u3092\u53e9\u3044\u305f\u308a\u9cf4\u3089\u3057\u305f\u308a\u3059\u308b\u3053\u3068\u3067\u3001\u5f7c\u306f\u5207\u308a\u5012\u3057\u3001\u305d\u308c\u3089\u306e\u97f3\u97ff\u306e\u9055\u3044\u3092\u898b\u3064\u3051\u3001\u30d0\u30a4\u30aa\u30ea\u30f3\u3092\u4f5c\u308b\u306e\u306b\u5b8c\u5168\u306b\u4e0d\u9069\u5f53\u3067\u306f\u306a\u3044\u624b\u3092\u8a66\u3059\u3088\u3046\u306b\u4fc3\u3055\u308c\u307e\u3057\u305f\u3002 \u3053\u308c\u3089\u306e\u30ed\u30de\u30f3\u30c1\u30c3\u30af\u306a\u74b0\u5883\u306e\u4e2d\u3067\u6570\u30f6\u6708\u304c\u7d4c\u904e\u3057\uff08\u304a\u305d\u3089\u304f\u5f7c\u306b\u306f\u5341\u5206\u306b\u7406\u89e3\u3055\u308c\u3066\u3044\u307e\u305b\u3093\u3067\u3057\u305f\uff09\u3001\u305d\u306e\u5f8c\u3001\u300c\u30dd\u30ea\u30b8\u30a2\u300d\u304c\u5f7c\u306e\u60b2\u5287\u3067\u5fd9\u3057\u304f\u3059\u308b\u306e\u3092\u4e8b\u5b9f\u4e0a\u3084\u3081\u305f\u3053\u3068\u306b\u6c17\u3065\u304d\u3001\u5f7c\u306f\u5317\u306b\u3055\u307e\u3088\u3063\u3066\u3001\u6700\u7d42\u7684\u306b\u30af\u30ec\u30e2\u30ca\u306b\u5230\u7740\u3057\u307e\u3057\u305f\u3002<\/p>\n\n\n\n
Soon found his way into Nicola Amati\u2019s workshop and gained much dexterity in the art whilst there. Later apprenticed to Stradivari. Remained in Cremona for about thirty years. It is presumed that he occasionally did the preliminary work of several instruments for his teachers. Seeing no reasonable chance of much recognition in a town where these men were so pre-eminent, he wisely returned to Naples, 1695. Became known as the founder of the Neapolitan school, and in that city, he and his sons monopolised the art. Died 1730.<\/p>\n\n\n\n
\u3059\u3050\u306b\u30cb\u30b3\u30ed\u30a2\u30de\u30c6\u30a3\u306e\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u3078\u306e\u9053\u3092\u898b\u3064\u3051\u3001\u305d\u3053\u306b\u3044\u308b\u9593\u3001\u82b8\u8853\u3067\u591a\u304f\u306e\u5668\u7528\u3055\u3092\u7372\u5f97\u3057\u307e\u3057\u305f\u3002 \u5f8c\u306b\u30b9\u30c8\u30e9\u30c7\u30a3\u30f4\u30a1\u30ea\u306b\u5f1f\u5b50\u5165\u308a\u3002 \u30af\u30ec\u30e2\u30ca\u306b\u7d0430\u5e74\u9593\u6ede\u5728\u3057\u307e\u3057\u305f\u3002 \u5f7c\u306f\u6642\u3005\u5f7c\u306e\u6559\u5e2b\u306e\u305f\u3081\u306b\u3044\u304f\u3064\u304b\u306e\u697d\u5668\u306e\u6e96\u5099\u4f5c\u696d\u3092\u3057\u305f\u3068\u63a8\u6e2c\u3055\u308c\u307e\u3059\u3002 \u3053\u308c\u3089\u306e\u7537\u6027\u304c\u975e\u5e38\u306b\u5353\u8d8a\u3057\u305f\u753a\u3067\u591a\u304f\u306e\u8a8d\u8b58\u306e\u5408\u7406\u7684\u306a\u30c1\u30e3\u30f3\u30b9\u3092\u898b\u3066\u3001\u5f7c\u306f\u8ce2\u660e\u306b\u30ca\u30dd\u30ea\u306b\u623b\u308a\u307e\u3057\u305f\u30011695\u5e74\u3002\u30ca\u30dd\u30ea\u697d\u6d3e\u306e\u5275\u8a2d\u8005\u3068\u3057\u3066\u77e5\u3089\u308c\u308b\u3088\u3046\u306b\u306a\u308a\u3001\u305d\u306e\u90fd\u5e02\u3067\u5f7c\u3068\u5f7c\u306e\u606f\u5b50\u306f\u82b8\u8853\u3092\u72ec\u5360\u3057\u307e\u3057\u305f\u3002 1730\u5e74\u306b\u4ea1\u304f\u306a\u308a\u307e\u3057\u305f\u3002<\/p>\n\n\n\n
His early Amatese modelling is often rather rigid. Pattern generally looking long and attenuated owing to the lower bouts not being proportionately wide enough to be completely harmonised with the width of the upper. Curving of outline altogether less graceful than that of an Amati. This is particularly noticeable in the curve from the middle of the upper bout to the corner – the corner being given a prolongated appearance naturally necessitated a modification of the curve to accommodate the extension but does not add anything to the outline except a rather weak angularity. Considerable width of grooving inwardly from the border, though not very deep which gives to the arching a rather ungraduated rise to its central medium height. Later formed some notions of a nearer relationship with the second period Stradivarian model and its relatively flat arching. These instruments are of broadish proportions, generally about 13-7\/8 inches bodylength, and not unlike some of the Bergonzis. Curving less rigid than formerly, corners more graceful.<\/p>\n\n\n\n
\u5f7c\u306e\u521d\u671f\u306e\u30a2\u30de\u30c6\u30b9\u30e2\u30c7\u30ea\u30f3\u30b0\u306f\u3057\u3070\u3057\u3070\u304b\u306a\u308a\u53b3\u683c\u3067\u3059\u3002\u4e0b\u90e8\u306e\u767a\u4f5c\u304c\u4e0a\u90e8\u306e\u5e45\u3068\u5b8c\u5168\u306b\u8abf\u548c\u3059\u308b\u306e\u306b\u5341\u5206\u306a\u5e45\u3067\u306f\u306a\u3044\u305f\u3081\u3001\u30d1\u30bf\u30fc\u30f3\u306f\u4e00\u822c\u306b\u9577\u304f\u898b\u3048\u3001\u6e1b\u8870\u3057\u307e\u3059\u3002\u8f2a\u90ed\u306e\u6e7e\u66f2\u306f\u3001\u30a2\u30de\u30c6\u30a3\u306e\u305d\u308c\u3088\u308a\u3082\u5b8c\u5168\u306b\u512a\u96c5\u3067\u306f\u3042\u308a\u307e\u305b\u3093\u3002\u3053\u308c\u306f\u3001\u4e0a\u90e8\u306e\u8a66\u5408\u306e\u4e2d\u592e\u304b\u3089\u30b3\u30fc\u30ca\u30fc\u307e\u3067\u306e\u30ab\u30fc\u30d6\u3067\u7279\u306b\u9855\u8457\u3067\u3059\u3002\u30b3\u30fc\u30ca\u30fc\u306b\u5ef6\u9577\u3055\u308c\u305f\u5916\u89b3\u304c\u4e0e\u3048\u3089\u308c\u308b\u3068\u3001\u5f53\u7136\u3001\u5ef6\u9577\u306b\u5bfe\u5fdc\u3059\u308b\u305f\u3081\u306b\u30ab\u30fc\u30d6\u3092\u5909\u66f4\u3059\u308b\u5fc5\u8981\u304c\u3042\u308a\u307e\u3059\u304c\u3001\u89d2\u5ea6\u304c\u304b\u306a\u308a\u5f31\u3044\u3053\u3068\u3092\u9664\u3044\u3066\u3001\u30a2\u30a6\u30c8\u30e9\u30a4\u30f3\u306b\u4f55\u3082\u8ffd\u52a0\u3055\u308c\u307e\u305b\u3093\u3002\u5883\u754c\u304b\u3089\u5185\u5074\u306b\u6e9d\u3092\u6398\u308b\u304b\u306a\u308a\u306e\u5e45\u3067\u3059\u304c\u3001\u305d\u308c\u307b\u3069\u6df1\u304f\u306f\u3042\u308a\u307e\u305b\u3093\u3002\u3053\u308c\u306b\u3088\u308a\u3001\u30a2\u30fc\u30c1\u306f\u4e2d\u592e\u306e\u4e2d\u9593\u306e\u9ad8\u3055\u307e\u3067\u6bb5\u968e\u7684\u306b\u4e0a\u6607\u3057\u307e\u305b\u3093\u3002\u5f8c\u306b\u3001\u7b2c\u4e8c\u671f\u306e\u30b9\u30c8\u30e9\u30c7\u30a3\u30d0\u30ea\u30a2\u30f3\u30e2\u30c7\u30eb\u3068\u305d\u306e\u6bd4\u8f03\u7684\u5e73\u5766\u306a\u30a2\u30fc\u30c1\u3068\u306e\u3088\u308a\u8fd1\u3044\u95a2\u4fc2\u306e\u3044\u304f\u3064\u304b\u306e\u6982\u5ff5\u3092\u5f62\u6210\u3057\u307e\u3057\u305f\u3002\u3053\u308c\u3089\u306e\u697d\u5668\u306f\u5e45\u5e83\u3044\u30d7\u30ed\u30dd\u30fc\u30b7\u30e7\u30f3\u3067\u3001\u4e00\u822c\u7684\u306b\u4f53\u9577\u306f\u7d0413-7 \/ 8\u30a4\u30f3\u30c1\u3067\u3001\u4e00\u90e8\u306e\u30d9\u30eb\u30b4\u30f3\u30b8\u3068\u306f\u7570\u306a\u308a\u307e\u3059\u3002\u4ee5\u524d\u3088\u308a\u3082\u525b\u6027\u304c\u4f4e\u304f\u3001\u30b3\u30fc\u30ca\u30fc\u304c\u3088\u308a\u512a\u96c5\u306b\u306a\u308a\u307e\u3059\u3002<\/p>\n\n\n\n
Thicknessing of the wood always received the most precise attention from him. Workmanship generally not of the highest refinement. Scrolls (of early period) decidedly cramped-looking, seeming diminutive in comparison with the build of the instrument, the turn at the back being somewhat contracted, faulty curving as the centre of the boss is approached, and not artistically scooped where it should be. Altogether of a mean demeanour, looking as though ashamed to be there. A few of his later instruments have heads far different from those just cited, and are more worthy of being associated with artistry. But generally totalling up his work, leads us to affirm that his talent did not prominently shine forth in this particular department. Purfling varies, sometimes of very distinctive character with a narrow middle strand – other times indifferently and unevenly laid. Sound-holes of the Amatese model rather freely traced, somewhat approaching the perpendicular, rather narrow in the stem, and well conceived top and bottom curves. Many of these have unfortunately been tampered by sound-post setting bogglers, and by repairing vandals who choose to implant their misplaced ingenuity on the widening of them. On later violins he placed the sound-holes more after the Stradivarian plan, but could not resist going to the extreme by making them unnecessarily wide. He seems to have been the fortunate possessor of a very large piece of pine, as nearly all his violins have tops of an open grain inclined to a slight waviness. Possibly thought this gave a peculiar, resonance to the tone. Used sycamore of handsome figure, though occasionally the scrolls are of plainer material. Sometimes this sycamore has an unusual development of a downward grain, certainly unusual so far as our experience carries. Some violins have the figure of the wood running on an angle at the middle ribs, but running straight up and down at the upper and lower parts. Also occasionally cut the spruce on the bias, so that the grain runs slightly at an angle from the centre joint.<\/p>\n\n\n\n
\u6728\u306e\u539a\u307f\u306f\u5e38\u306b\u5f7c\u304b\u3089\u6700\u3082\u6b63\u78ba\u306a\u6ce8\u76ee\u3092\u96c6\u3081\u307e\u3057\u305f\u3002\u6280\u91cf\u306f\u4e00\u822c\u7684\u306b\u6700\u9ad8\u306e\u6d17\u7df4\u3067\u306f\u3042\u308a\u307e\u305b\u3093\u3002 \uff08\u521d\u671f\u306e\uff09\u5dfb\u7269\u306f\u660e\u3089\u304b\u306b\u7aae\u5c48\u306b\u898b\u3048\u3001\u697d\u5668\u306e\u69cb\u9020\u3068\u6bd4\u8f03\u3057\u3066\u5c0f\u3055\u3044\u3088\u3046\u306b\u898b\u3048\u3001\u5f8c\u308d\u306e\u66f2\u304c\u308a\u306f\u3084\u3084\u53ce\u7e2e\u3057\u3066\u304a\u308a\u3001\u30dc\u30b9\u306e\u4e2d\u5fc3\u306b\u8fd1\u3065\u304f\u306b\u3064\u308c\u3066\u66f2\u304c\u308a\u304c\u60aa\u304f\u3001\u82b8\u8853\u7684\u306b\u3059\u304f\u3044\u4e0a\u3052\u3089\u308c\u3066\u3044\u306a\u3044\u306f\u305a\u3067\u3059\u3002\u305d\u3053\u306b\u3044\u308b\u3053\u3068\u3092\u6065\u3058\u3066\u3044\u308b\u3088\u3046\u306b\u898b\u3048\u308b\u3001\u5168\u4f53\u3068\u3057\u3066\u5e73\u5747\u7684\u306a\u614b\u5ea6\u3002\u5f7c\u306e\u5f8c\u671f\u306e\u697d\u5668\u306e\u3044\u304f\u3064\u304b\u306f\u3001\u4eca\u5f15\u7528\u3057\u305f\u3082\u306e\u3068\u306f\u5927\u304d\u304f\u7570\u306a\u308b\u982d\u3092\u6301\u3063\u3066\u304a\u308a\u3001\u82b8\u8853\u6027\u3068\u95a2\u9023\u4ed8\u3051\u308b\u4fa1\u5024\u304c\u3042\u308a\u307e\u3059\u3002\u3057\u304b\u3057\u3001\u4e00\u822c\u7684\u306b\u5f7c\u306e\u4ed5\u4e8b\u3092\u5408\u8a08\u3059\u308b\u3068\u3001\u5f7c\u306e\u624d\u80fd\u306f\u3053\u306e\u7279\u5b9a\u306e\u90e8\u9580\u3067\u76ee\u7acb\u3063\u3066\u8f1d\u3044\u3066\u3044\u306a\u3044\u3053\u3068\u3092\u79c1\u305f\u3061\u306f\u65ad\u8a00\u3059\u308b\u3053\u3068\u306b\u306a\u308a\u307e\u3059\u3002\u30d1\u30fc\u30d5\u30ea\u30f3\u30b0\u306f\u3055\u307e\u3056\u307e\u3067\u3001\u4e2d\u9593\u306e\u30b9\u30c8\u30e9\u30f3\u30c9\u304c\u72ed\u3044\u975e\u5e38\u306b\u7279\u5fb4\u7684\u306a\u7279\u5fb4\u304c\u3042\u308b\u5834\u5408\u3082\u3042\u308a\u307e\u3059\u304c\u3001\u7121\u95a2\u5fc3\u3067\u4e0d\u5747\u4e00\u306b\u914d\u7f6e\u3055\u308c\u3066\u3044\u308b\u5834\u5408\u3082\u3042\u308a\u307e\u3059\u3002 Amatese\u30e2\u30c7\u30eb\u306e\u30b5\u30a6\u30f3\u30c9\u30db\u30fc\u30eb\u306f\u3001\u304b\u306a\u308a\u81ea\u7531\u306b\u30c8\u30ec\u30fc\u30b9\u3055\u308c\u3001\u5782\u76f4\u306b\u3044\u304f\u3089\u304b\u8fd1\u3065\u304d\u3001\u30b9\u30c6\u30e0\u304c\u304b\u306a\u308a\u72ed\u304f\u3001\u3088\u304f\u8003\u3048\u3089\u308c\u305f\u4e0a\u4e0b\u306e\u66f2\u7dda\u304c\u3042\u308a\u307e\u3059\u3002\u3053\u308c\u3089\u306e\u591a\u304f\u306f\u3001\u6b8b\u5ff5\u306a\u304c\u3089\u3001\u30b5\u30a6\u30f3\u30c9\u30dd\u30b9\u30c8\u8a2d\u5b9a\u306e\u30dc\u30b0\u30e9\u30fc\u306b\u3088\u3063\u3066\u3001\u305d\u3057\u3066\u305d\u308c\u3089\u306e\u62e1\u5927\u306b\u5f7c\u3089\u306e\u898b\u5f53\u9055\u3044\u306e\u5275\u610f\u5de5\u592b\u3092\u690d\u3048\u4ed8\u3051\u308b\u3053\u3068\u3092\u9078\u629e\u3057\u305f\u7834\u58ca\u8005\u3092\u4fee\u7406\u3059\u308b\u3053\u3068\u306b\u3088\u3063\u3066\u6539\u3056\u3093\u3055\u308c\u3066\u3044\u307e\u3059\u3002\u5f8c\u306e\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u3067\u306f\u3001\u5f7c\u306f\u30b9\u30c8\u30e9\u30c7\u30a3\u30d0\u30ea\u30a2\u30f3\u306e\u8a08\u753b\u306e\u5f8c\u306b\u30b5\u30a6\u30f3\u30c9\u30db\u30fc\u30eb\u3092\u3055\u3089\u306b\u914d\u7f6e\u3057\u307e\u3057\u305f\u304c\u3001\u4e0d\u5fc5\u8981\u306b\u5e83\u304f\u3059\u308b\u3053\u3068\u3067\u6975\u7aef\u306b\u884c\u304f\u3053\u3068\u306b\u62b5\u6297\u3067\u304d\u307e\u305b\u3093\u3067\u3057\u305f\u3002\u5f7c\u306e\u30d0\u30a4\u30aa\u30ea\u30f3\u306e\u307b\u3068\u3093\u3069\u3059\u3079\u3066\u304c\u308f\u305a\u304b\u306a\u3046\u306d\u308a\u306b\u50be\u3044\u305f\u6728\u76ee\u304c\u958b\u3044\u3066\u3044\u308b\u306e\u3067\u3001\u5f7c\u306f\u975e\u5e38\u306b\u5927\u304d\u306a\u677e\u306e\u5e78\u904b\u306a\u6240\u6709\u8005\u3060\u3063\u305f\u3088\u3046\u3067\u3059\u3002\u304a\u305d\u3089\u304f\u3053\u308c\u304c\u97f3\u8272\u306b\u72ec\u7279\u306e\u5171\u9cf4\u3092\u4e0e\u3048\u305f\u3068\u601d\u3063\u305f\u306e\u3067\u3057\u3087\u3046\u3002\u30cf\u30f3\u30b5\u30e0\u306a\u59ff\u306e\u30b7\u30ab\u30e2\u30a2\u3092\u4f7f\u7528\u3057\u307e\u3057\u305f\u304c\u3001\u5dfb\u7269\u306f\u3088\u308a\u5358\u7d14\u306a\u7d20\u6750\u3067\u3042\u308b\u5834\u5408\u304c\u3042\u308a\u307e\u3059\u3002\u6642\u3005\u3001\u3053\u306e\u30b7\u30ab\u30e2\u30a2\u306f\u4e0b\u5411\u304d\u306e\u7a40\u7269\u306e\u7570\u5e38\u306a\u767a\u9054\u3092\u3057\u307e\u3059\u3001\u79c1\u305f\u3061\u306e\u7d4c\u9a13\u304c\u904b\u3076\u9650\u308a\u3001\u78ba\u304b\u306b\u7570\u5e38\u3067\u3059\u3002\u3044\u304f\u3064\u304b\u306e\u30d0\u30a4\u30aa\u30ea\u30f3\u306f\u3001\u4e2d\u592e\u306e\u808b\u9aa8\u3067\u659c\u3081\u306b\u8d70\u200b\u200b\u3063\u3066\u3044\u308b\u6728\u306e\u59ff\u3092\u3057\u3066\u3044\u307e\u3059\u304c\u3001\u4e0a\u90e8\u3068\u4e0b\u90e8\u3067\u771f\u3063\u76f4\u3050\u4e0a\u4e0b\u306b\u8d70\u3063\u3066\u3044\u307e\u3059\u3002\u307e\u305f\u3001\u6642\u3005\u30d0\u30a4\u30a2\u30b9\u3067\u30b9\u30d7\u30eb\u30fc\u30b9\u3092\u30ab\u30c3\u30c8\u3057\u3066\u3001\u7a40\u7269\u304c\u4e2d\u592e\u306e\u30b8\u30e7\u30a4\u30f3\u30c8\u304b\u3089\u308f\u305a\u304b\u306b\u659c\u3081\u306b\u8d70\u308b\u3088\u3046\u306b\u3057\u307e\u3059\u3002<\/p>\n\n\n\n
Varnish of good texture, though generally very hard, sometimes of a cold and unattractive greyish-yellow, but also of shades a trifle warmer, something like golden-yellow or brownish-yellow, never thickly applied. Supposed to have had a Cremonese recipe for a softer and more reddish varnish, but possibly found that the excessively hot climate of Naples prevented a successful application. Tonal quality very mellow on the G and D strings, and delightfully silvery on the A and E.<\/p>\n\n\n\n
\u826f\u3044\u8cea\u611f\u306e\u30ef\u30cb\u30b9\u306f\u3001\u4e00\u822c\u7684\u306b\u975e\u5e38\u306b\u786c\u3044\u3067\u3059\u304c\u3001\u6642\u306b\u306f\u51b7\u305f\u304f\u9b45\u529b\u306e\u306a\u3044\u7070\u8272\u304c\u304b\u3063\u305f\u9ec4\u8272\u3067\u3059\u304c\u3001\u91d1\u9ec4\u8272\u3084\u8336\u8272\u304c\u304b\u3063\u305f\u9ec4\u8272\u306e\u3088\u3046\u306a\u3055\u3055\u3044\u306a\u6696\u304b\u3055\u306e\u8272\u5408\u3044\u3082\u3042\u308a\u3001\u6c7a\u3057\u3066\u539a\u304f\u5857\u3089\u308c\u3066\u3044\u307e\u305b\u3093\u3002 \u3088\u308a\u67d4\u3089\u304b\u304f\u3001\u3088\u308a\u8d64\u307f\u304c\u304b\u3063\u305f\u30ef\u30cb\u30b9\u306e\u30af\u30ec\u30e2\u30cd\u30fc\u30bc\u30ec\u30b7\u30d4\u3092\u6301\u3063\u3066\u3044\u305f\u3068\u601d\u308f\u308c\u307e\u3059\u304c\u3001\u30ca\u30dd\u30ea\u306e\u904e\u5ea6\u306b\u6691\u3044\u6c17\u5019\u304c\u30a2\u30d7\u30ea\u30b1\u30fc\u30b7\u30e7\u30f3\u306e\u6210\u529f\u3092\u59a8\u3052\u3066\u3044\u308b\u3053\u3068\u304c\u308f\u304b\u3063\u305f\u53ef\u80fd\u6027\u304c\u3042\u308a\u307e\u3059\u3002 G\u3068D\u306e\u5f26\u306f\u975e\u5e38\u306b\u307e\u308d\u3084\u304b\u3067\u3001A\u3068E\u306f\u5fc3\u5730\u3088\u3044\u9280\u8272\u306e\u97f3\u8cea\u3067\u3059\u3002<\/p>\n\n\n\n
Well preserved and authentic specimens very scarce.<\/p>\n\n\n\n
\u4fdd\u5b58\u72b6\u614b\u304c\u826f\u304f\u3001\u672c\u7269\u306e\u6a19\u672c\u306f\u975e\u5e38\u306b\u5c11\u306a\u3044\u3002<\/p>\n\n\n\n
Violas generally of flattish build and somewhat Strad outline. Usually favoured with a golden-brown varnish. These realise fancy prices owing to their scarcity. \u2019Cellos usually of very generous proportions, and sometimes mistaken as the work of Stradivari. Measurements: string length, 27-3\/4 inches; back, 30.3\/16; medium arching, often with deeply cut scroll, and yellow-brown varnish. Best period, 1707-1721. Only one double-bass has been recorded. Labels – some written in longish lettering: (\u2019Cellos \uffe1600, 1959)<\/p>\n\n\n\n
\u30f4\u30a3\u30aa\u30e9\u306f\u4e00\u822c\u7684\u306b\u30d5\u30e9\u30c3\u30c8\u306a\u9020\u308a\u3067\u3001\u3084\u3084\u30b9\u30c8\u30e9\u30c3\u30c9\u306e\u8f2a\u90ed\u304c\u3042\u308a\u307e\u3059\u3002 \u901a\u5e38\u3001\u9ec4\u91d1\u8272\u306e\u30cb\u30b9\u304c\u597d\u307e\u308c\u307e\u3059\u3002 \u3053\u308c\u3089\u306f\u5e0c\u5c11\u6027\u306e\u305f\u3081\u306b\u7a7a\u60f3\u7684\u306a\u4fa1\u683c\u3092\u5b9f\u73fe\u3057\u307e\u3059\u3002 \u2019\u30c1\u30a7\u30ed\u306f\u901a\u5e38\u975e\u5e38\u306b\u5bdb\u5927\u306a\u6bd4\u7387\u3067\u3042\u308a\u3001\u30b9\u30c8\u30e9\u30c7\u30a3\u30f4\u30a1\u30ea\u306e\u4f5c\u54c1\u3068\u9593\u9055\u308f\u308c\u308b\u3053\u3068\u3082\u3042\u308a\u307e\u3059\u3002 \u5bf8\u6cd5\uff1a\u7d10\u306e\u9577\u3055\u300127-3 \/ 4\u30a4\u30f3\u30c1; \u623b\u308b\u300130.3 \/ 16; \u30df\u30c7\u30a3\u30a2\u30e0\u30a2\u30fc\u30c1\u3001\u591a\u304f\u306e\u5834\u5408\u6df1\u304f\u30ab\u30c3\u30c8\u3055\u308c\u305f\u30b9\u30af\u30ed\u30fc\u30eb\u3001\u304a\u3088\u3073\u9ec4\u8910\u8272\u306e\u30cb\u30b9\u3002 \u6700\u9ad8\u306e\u671f\u9593\u30011707-1721\u3002 \u30b3\u30f3\u30c8\u30e9\u30d0\u30b9\u306f1\u3064\u3057\u304b\u8a18\u9332\u3055\u308c\u3066\u3044\u307e\u305b\u3093\u3002 \u30e9\u30d9\u30eb-\u9577\u3044\u6587\u5b57\u3067\u66f8\u304b\u308c\u305f\u3082\u306e\u3082\u3042\u308a\u307e\u3059\uff1a\uff08 \u2019\u30c1\u30a7\u30ed\uffe1 600\u30011959\uff09<\/p>\n\n\n\n
———————————————-<\/p>\n\n\n\n
Alexandri Gagliano Alumnus Antonio<\/p>\n\n\n\n
Stradivarius fecit anno 1702<\/p>\n\n\n\n
———————————————-<\/p>\n\n\n\n
———————————————-<\/p>\n\n\n\n
Alessandro Gagliano, Alumnus<\/p>\n\n\n\n
Stradivarius, fecit Neapoli, anno 1722<\/p>\n\n\n\n
———————————————-<\/p>\n\n\n\n
—————————————–<\/p>\n\n\n\n
Alexander Gagliani, fecit Neapoli<\/p>\n\n\n\n
1717<\/p>\n\n\n\n
—————————————–<\/p>\n\n\n\n
—————————-<\/p>\n\n\n\n
Alexander Gaglianus<\/p>\n\n\n\n
me fecit Neapoli 1724<\/p>\n\n\n\n
—————————-<\/p>\n\n\n\n
(possibly not genuine)<\/p>\n\n\n\n
Many instruments known without labels. Made a violin expressly for Arcangelo Corelli who used it until death in 1703. Bequeathed to Tartini, who played on it when he gave the first performance of his subsequently famous \u201cDevil\u2019s Trill Sonata\u201d. Passed into the possession of Pugnani (pupil of Tartini). Purchased by a wealthy French merchant who presented it to Charles de B\u00e9riot. Since owned by Ole Bull, Miska Hauser, Ferdinand David, and Ovide Musin. Finally acquired by a wealthy amateur in New York. \uffe1400 (1959).<\/p>\n\n\n\n
\u30e9\u30d9\u30eb\u306a\u3057\u3067\u77e5\u3089\u308c\u3066\u3044\u308b\u591a\u304f\u306e\u697d\u5668\u3002 1703\u5e74\u306b\u4ea1\u304f\u306a\u308b\u307e\u3067\u4f7f\u7528\u3057\u305f\u30a2\u30eb\u30ab\u30f3\u30b8\u30a7\u30ed\u30b3\u30ec\u30c3\u30ea\u306e\u305f\u3081\u306b\u7279\u5225\u306b\u30d0\u30a4\u30aa\u30ea\u30f3\u3092\u88fd\u4f5c\u3057\u307e\u3057\u305f\u3002\u305d\u306e\u5f8c\u6709\u540d\u306a\u300c\u60aa\u9b54\u306e\u30c8\u30ea\u30eb\u30bd\u30ca\u30bf\u300d\u306e\u521d\u6f14\u3092\u884c\u3063\u305f\u3068\u304d\u306b\u6f14\u594f\u3057\u305f\u30bf\u30eb\u30c6\u30a3\u30fc\u30cb\u306b\u907a\u8d08\u3055\u308c\u307e\u3057\u305f\u3002 \u30d7\u30cb\u30e3\u30fc\u30cb\uff08\u30bf\u30eb\u30c6\u30a3\u30fc\u30cb\u306e\u5f1f\u5b50\uff09\u306e\u6240\u6301\u306b\u6e21\u3055\u308c\u307e\u3057\u305f\u3002 \u30b7\u30e3\u30eb\u30eb\u30fb\u30c9\u30fb\u30d9\u30ea\u30aa\u306b\u8d08\u3063\u305f\u88d5\u798f\u306a\u30d5\u30e9\u30f3\u30b9\u306e\u5546\u4eba\u304c\u8cfc\u5165\u3057\u307e\u3057\u305f\u3002 Ole Bull\u3001Miska Hauser\u3001Ferdinand David\u3001OvideMusin\u304c\u6240\u6709\u3057\u3066\u4ee5\u6765\u3002 \u3064\u3044\u306b\u30cb\u30e5\u30fc\u30e8\u30fc\u30af\u306e\u88d5\u798f\u306a\u30a2\u30de\u30c1\u30e5\u30a2\u306b\u8cb7\u53ce\u3055\u308c\u307e\u3057\u305f\u3002 \uffe1 400\uff081959\uff09\u3002<\/p>\n","protected":false},"excerpt":{"rendered":"
Son of a Marquis. Born at…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-2338","post","type-post","status-publish","format-standard","hentry","category-makers"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/2338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/comments?post=2338"}],"version-history":[{"count":1,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/2338\/revisions"}],"predecessor-version":[{"id":2916,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/2338\/revisions\/2916"}],"wp:attachment":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/media?parent=2338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/categories?post=2338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/tags?post=2338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}