{"id":2594,"date":"2022-02-02T15:13:37","date_gmt":"2022-02-02T06:13:37","guid":{"rendered":"http:\/\/192.168.0.250\/izuta\/violin\/?p=419"},"modified":"2022-04-30T18:12:35","modified_gmt":"2022-04-30T09:12:35","slug":"garimberti-ferdinando","status":"publish","type":"post","link":"https:\/\/izuta-violin.co.jp\/makers\/archives\/2594","title":{"rendered":"GARIMBERTI, Ferdinando (1894-1982)"},"content":{"rendered":"<p class=\"p1\">Liuteria Italiana(Eric Blot) Vol.2 Pag.190<\/p>\n<p class=\"p1\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p class=\"p1\">\ud83d\udcf7Liuteria Italiana Moderna<\/p>\n<p class=\"p1\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p class=\"p1\">Great Italian Violinmaking(Artemio Versari) Pag.130<\/p>\n<p class=\"p1\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p class=\"p1\">Born at Mammiano (Province of Parma), 1894. Pupil of Antoniazzi Brothers. Worked at Milan. Won high diplomas at Rome, Padua, and Cremona. Also a splendid \u2019cellist. Elevated impersonations of Cremonese modelling, workmanship without flaw, and exquisite varnish. Few instruments will dethrone these in the future. Many players in Italy and Switzerland are already enamoured with the rapid development of tonal maturity.<\/p>\n<p class=\"p1\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p class=\"p1\">Ferdinandus Garimberti Parmensis<\/p>\n<p class=\"p1\">fecit Mediolani Anno 1944<\/p>\n<p class=\"p1\">No. 107<\/p>\n<p class=\"p1\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p class=\"p1\">(with F.G.P. in a floral circle, also signature)<\/p>\n<p class=\"p1\">Also branded exteriorly and interiorly.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Liuteria Italiana(Eric Bl&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-2594","post","type-post","status-publish","format-standard","hentry","category-makers"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/2594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/comments?post=2594"}],"version-history":[{"count":1,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/2594\/revisions"}],"predecessor-version":[{"id":3077,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/2594\/revisions\/3077"}],"wp:attachment":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/media?parent=2594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/categories?post=2594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/tags?post=2594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}