J.B. \u30c1\u30a7\u30eb\u30c6\u30a3<\/p>\n\n\n\n
<\/p>\n\n\n\n
1756\u5e74\u306b\u30bb\u30b9\u30c8\u30af\u30ec\u30e2\u30cd\u30fc\u30bc\u3067\u751f\u307e\u308c\u308b\u3002<\/p>\n\n\n\n
\u307b\u307c\u540c\u6642\u671f\u306b\u306f\u3001\u30ab\u30eb\u30edII\u30fb\u30d9\u30eb\u30b4\u30f3\u30c1\u30a3(Carlo II Bergonzi)\u3082\u751f\u307e\u308c\u3066\u3044\u307e\u3059\u3002 <\/p>\n\n\n\n
\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u611b\u597d\u5bb6\u3067\u3042\u3063\u305f\u30b5\u30e9\u30d6\u30fc\u30a8\u4f2f\u7235\u306e\u8a18\u8ff0\u306b\u3088\u308c\u3070\u3001\u30c1\u30a7\u30eb\u30fc\u30c6\u30a3\u306f\u30eb\u30a4\u30fc\u30b8\u30fb\u30de\u30c3\u30ae\u4f2f\u7235\uff08Luigi Maggi)\u306e\u5f1f\u5b50\u3067\u3042\u308b\u3068\u3055\u308c\u3066\u3044\u307e\u3059\u3002<\/p>\n\n\n\n
\u30de\u30c3\u30ae\u4f2f\u7235\u81ea\u8eab\u306e\u697d\u5668\u3084\u4ed5\u4e8b\u306e\u75d5\u8de1\u306f\u6b8b\u3063\u3066\u3044\u307e\u305b\u3093\u304c\u3001\u30c1\u30a7\u30eb\u30fc\u30c6\u30a3\u3068\u4f55\u3089\u304b\u306e\u7e4b\u304c\u308a\u304c\u3042\u3063\u305f\u4e8b\u304c\u30b5\u30e9\u30d6\u30fc\u30a8\u4f2f\u7235\u3068\u30de\u30c3\u30ae\u4f2f\u7235\u3068\u306e\u3084\u308a\u53d6\u308a\u3067\u78ba\u8a8d\u3067\u304d\u307e\u3059\u3002<\/p>\n\n\n\n
\u3057\u304b\u3057\u3001\u5143\u3005\u30c1\u30a7\u30eb\u30fc\u30c6\u30a3\u306f\u5e03\u751f\u5730\u3092\u7e54\u308b\u5de5\u592b\u3068\u3057\u3066\u50cd\u3044\u3066\u304a\u308a\u300140\u6b73\u8fd1\u3044\u5e74\u9f62\u304b\u3089\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u88fd\u4f5c\u3092\u59cb\u3081\u3066\u3044\u307e\u3059\u3002<\/p>\n\n\n\n
\u307e\u305f\u3001\u521d\u671f\u306e\u30c1\u30a7\u30eb\u30fc\u30c6\u30a3\u306e\u697d\u5668\u306f\u3001\u30d9\u30eb\u30b4\u30f3\u30c1\u30a3\u5144\u5f1f(Nicola Bergonzi1754-1832 \/ Carlo(ll) Bergonzi 1757-1836)\u306e\u5f37\u3044\u5f71\u97ff\u3092\u53d7\u3051\u3066\u304a\u308a\u3001\u30d9\u30eb\u30b4\u30f3\u30c1\u30a3\u5144\u5f1f\u304b\u3089\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u88fd\u4f5c\u306e\u6280\u8853\u3092\u5b66\u3093\u3060\u3068\u8003\u3048\u3089\u308c\u307e\u3059\u3002 <\/p>\n\n\n\n
12\u6b73\u5e74\u4e0a\u306e\u30ed\u30ec\u30f3\u30c4\u30a9\u30fb\u30b9\u30c8\u30ea\u30aa\u30fc\u30cb(Lorenzo Storioni 1744-1816)\u3068\u306e\u5e2b\u5f1f\u95a2\u4fc2\u3082\u6307\u6458\u3055\u308c\u307e\u3059\u304c\u30011802\u5e74\u306b\u30b9\u30c8\u30ea\u30aa\u30fc\u30cb\u304c\u30af\u30ec\u30e2\u30ca\u3092\u53bb\u3063\u305f\u5f8c\u306b\u3001\u7d50\u679c\u7684\u306b\u30b9\u30c8\u30ea\u30aa\u30fc\u30cb\u306e\u4ed5\u4e8b\u3092\u5f15\u304d\u7d99\u3050\u5f62\u306b\u306a\u3063\u305f\u3068\u601d\u308f\u308c\u307e\u3059\u3002<\/p>\n\n\n\n
\u305d\u306e\u5f8c\u3001\u30b9\u30c8\u30ea\u30aa\u30fc\u30cb\u306e\u30b9\u30bf\u30a4\u30eb\u3082\u53d6\u308a\u5165\u308c\u306a\u304c\u3089\u3001\u606f\u5b50\u306e\u30b8\u30e5\u30bc\u30c3\u30da(Giuseppe Antonio Ceruti 1785-1860)\u3068\u5171\u306b\u30af\u30ec\u30e2\u30ca\u3067\u307b\u307c\u552f\u4e00\u306e\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u8077\u4eba\u3068\u3057\u3066\u50cd\u304d\u307e\u3057\u305f\u3002<\/p>\n\n\n\n
\u69d8\u3005\u306a\u6750\u6599\u3092\u4f7f\u3044\u307e\u3057\u305f\u304c\u3001\u901a\u5e38\u306f\u5730\u5143\u3067\u8abf\u9054\u3055\u308c\u305f\u5e74\u8f2a\u3084\u6762\u76ee\u306e\u8ca7\u5f31\u306a\u6750\u6599\u3092\u4f7f\u3063\u3066\u3044\u307e\u3059\u3002<\/p>\n\n\n\n
\u4e00\u822c\u7684\u306b\u306f\u3001\u3084\u3084\u6697\u3044\u8272\u5408\u3044\u306e\u30cb\u30b9\u304c\u5857\u3089\u308c\u3001\u697d\u5668\u306e\u51fa\u6765\u6804\u3048\u306f\u96d1\u306a\u5370\u8c61\u3092\u53d7\u3051\u307e\u3059\u304c\u3001\u7d20\u6674\u3089\u3057\u3044\u97f3\u8272\u3092\u6301\u3063\u3066\u3044\u307e\u3059\u3002<\/p>\n\n\n\n
19\u4e16\u7d00\u306b\u306f\u8870\u9000\u3057\u3066\u3044\u305f\u30af\u30ec\u30e2\u30ca\u6d3e\u306e\u30f4\u30a1\u30a4\u30aa\u30ea\u30f3\u88fd\u4f5c\u3092\u3001\u606f\u5b50\u306e\u30b8\u30e5\u30bc\u30c3\u30da\u304b\u3089\u5b6b\u306e\u30a8\u30f3\u30ea\u30b3(Enrico Ceruti 1806-1883)\u3001\u305d\u3057\u3066\u30ac\u30a8\u30bf\u30ce\u30fb\u30a2\u30f3\u30c8\u30cb\u30a2\u30c3\u30c4\u30a3(Gaetano Antoniazzi 1825-1897)\u3078\u3068\u7e4b\u3044\u3060\u3001\u5f8c\u671f\u30af\u30ec\u30e2\u30ca\u6d3e\u306e\u91cd\u8981\u306a\u4eba\u7269\u3067\u3059\u3002<\/p>\n\n\n\n
1817\u5e74(60\u6b73)\u3000\u30af\u30ec\u30e2\u30ca\u3067\u6b7b\u53bb\u3002<\/p>\n\n\n\n
—————————–<\/p>\n\n\n\n
Born 1755. Died 1817. Worked with Storioni at Cremona, and succeeded in 1790 to his business in the Via de Caltellai.<\/p>\n\n\n\n
His precepts and practice did much towards upholding the Cremonese school. Made about 500 instruments of varying pattern in which the characteristics of the classical makers are combined with his own strong points of individuality.<\/p>\n\n\n\n
Those of the Grand-Amati model generally adjudged to be his superior instruments, and 1809 his best period. These are of medium arching, covered with a thick reddish-brown varnish, and usually (1930) valued at \uffe1300. Body length, 36cm.<\/p>\n\n\n\n
Also models after Guarnerius and the broad Stradivarius, invariably varnished light orange colour of a soft and elastic character. On his other violins the colour varies between yellow and a somewhat dullish cherry colour. Some specimens have one colour on front and a different one on the back.<\/p>\n\n\n\n
Wood frequently of native growth, carefully selected for its acoustical properties, and plentifully used. Backs usually of small-flame maple, also furnishing pretty ribs and scrolls. Frequently the spruce is of very fine grain, but occasionally we meet with some of slightly uneven fibres, which, however, seems to have no particular deterrent effect on tone.<\/p>\n\n\n\n
Very few violins of other makers have a more engratiating appearance than these. Scroll, sound-holes and purfling all admirably done. Tone brilliantly clear, sweet and penetrating. Violinists ought not to miss a chance of securing an example of this estimable maker, for he was a most conscientious workman, who always put in his best energies and paid the strictest attention to detail.<\/p>\n\n\n\n
Also finely built \u2019cellos with Nicol\u00e0 Amati\u2019s modelling spread all over. Violas, rare, generally of 15-11\/16 body length.<\/p>\n\n\n\n
——————————–<\/p>\n\n\n\n
Jo: Baptista Ceruti<\/p>\n\n\n\n
Cremonensis<\/p>\n\n\n\n
fecit Cremonae, an 1801<\/p>\n\n\n\n
——————————–<\/p>\n\n\n\n
(Ornamental border and +G B C within a circle<\/p>\n\n\n\n
Sometimes branded G.B.C. \uffe1500 1959.<\/p>\n","protected":false},"excerpt":{"rendered":"
J.B. \u30c1\u30a7\u30eb\u30c6\u30a3 1756\u5e74\u306b\u30bb\u30b9\u30c8\u30af\u30ec\u30e2\u30cd\u30fc…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-2596","post","type-post","status-publish","format-standard","hentry","category-makers"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/2596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/comments?post=2596"}],"version-history":[{"count":0,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/2596\/revisions"}],"wp:attachment":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/media?parent=2596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/categories?post=2596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/tags?post=2596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}