{"id":2867,"date":"2022-04-18T12:55:28","date_gmt":"2022-04-18T03:55:28","guid":{"rendered":"https:\/\/izuta-violin.co.jp\/makers\/?p=2867"},"modified":"2022-04-18T15:00:25","modified_gmt":"2022-04-18T06:00:25","slug":"acton-william-jhon-1848-1931","status":"publish","type":"post","link":"https:\/\/izuta-violin.co.jp\/makers\/archives\/2867","title":{"rendered":"ACTON, William Jhon (1848 \u2013 1931)"},"content":{"rendered":"\n<p>Born at Woolwich (London), 1848. Son of a violin-maker. Took up the profession of violin construction, 1870. A Gasparo-da-Sal\u00f2 modelled Viola was the first of his creations, and the maker, though openly avowing the immature workmanship, considered he had never realised a better tone from his subsequent efforts. Worked at Woolwich until 1898, then removed to Forest Gate, East London. Died 1931. Made every instrument without assistance from workmen.<br>Violins previous to 1890 have Guarnerian traits. Since then he rather favoured a model (with some originality) approximately Stradivarian of the later period, splendidly conceived in its large proportions; and a few following the smaller model of a Strad. (dated 1700) which belonged to the Duke of Edinburgh.<\/p>\n\n\n\n<p>Modelling of original design perhaps not what it ought to be from the hand of a highly talented craftsman, nevertheless it is a real creation far removed from anything ordinary. Body-length 14-1\/8 inches; upper bouts 6-3\/4 inches, middle 4-3\/4 inches, lower 8-1\/2 inches. Very flat arching rising less than half-an-inch. Attractive looking waist-curves, length 3-1\/4 inches. No weak point in the cutting of the accurately placed sound-holes, length 3 inches. Fascinating scroll in its boldness and perfect sweep of the volute. The whole certainly well individualised. Slight irregularity of the purfling, a fault we are surprised to see. Depth of ribs at the top, 1-1\/8 inches, bottom 1-1\/4 inches. Amber oil varnish of splendid appearance when the present shine has worn off. All inside work carefully attended to; material always well chosen. Tone compares very favourably indeed with any other productions of modern times. Made over 600 stringed instruments.<\/p>\n\n\n\n<p>William J. Acton<br>St. Mary Street,<\/p>\n\n\n\n<p>Woolwich, 1889<\/p>\n\n\n\n<p>William John Acton<br>Maker<\/p>\n\n\n\n<p>Forest Gate, London, 1906<\/p>\n\n\n\n<p>Produced about 500 bows somewhat in the Tourte style. Splendidly balanced and of the finest well-seasoned Pernambuco wood. Stamped \u2018W. 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