{"id":544,"date":"2021-05-31T13:32:22","date_gmt":"2021-05-31T04:32:22","guid":{"rendered":"http:\/\/192.168.0.250\/izuta\/violin\/?p=544"},"modified":"2025-05-03T18:10:36","modified_gmt":"2025-05-03T09:10:36","slug":"j-t-l","status":"publish","type":"post","link":"https:\/\/izuta-violin.co.jp\/makers\/archives\/544","title":{"rendered":"J.T.L. (1867 &#8211; 1968)"},"content":{"rendered":"\n<p>J\u00e9r\u00f4me Thibouville-Lamy<br> The largest of the great Mirecourt instrument making firms. In 1857 J\u00e9r\u00f4me Thibouville joined forces with Charles Buthod and Charles-Claude Husson to form Husson-Buthod-Thibouville. When J\u00e9r\u00f4me Thibouville married Marguerite Hyacinthe Lamy in 1861, the firm changed its name to the now-famous &#8220;J\u00e9r\u00f4me Thibouville-Lamy (J.T.L.)&#8221;.<\/p>\n\n\n\n<p> \u30df\u30eb\u30af\u30fc\u30eb\u306e\u697d\u5668\u88fd\u9020\u4f1a\u793e\u306e\u4e2d\u3067\u6700\u5927\u306e\u3082\u306e\u3067\u3059\u3002 1857\u5e74\u3001\u30b8\u30a7\u30ed\u30fc\u30e0\u30fb\u30c6\u30a3\u30dc\u30a6\u30d3\u30eb\u306f\u30c1\u30e3\u30fc\u30eb\u30ba\u30fb\u30d6\u30c8\u30c3\u30c9\u304a\u3088\u3073\u30c1\u30e3\u30fc\u30eb\u30ba\u30fb\u30af\u30ed\u30fc\u30c9\u30fb\u30d5\u30bd\u30f3\u3068\u624b\u3092\u7d44\u307f\u3001\u30cf\u30bd\u30f3\u30fb\u30d6\u30c8\u30c3\u30c9\u30fb\u30c6\u30a3\u30d6\u30f4\u30a3\u30eb\u3092\u8a2d\u7acb\u3057\u307e\u3057\u305f\u3002 \u30b8\u30a7\u30ed\u30fc\u30e0 \u30c6\u30a3\u30dc\u30a6\u30f4\u30a3\u30eb\u304c 1861 \u5e74\u306b\u30de\u30eb\u30b0\u30ea\u30c3\u30c8 \u30d2\u30e4\u30b7\u30f3\u30b9 \u30e9\u30df\u30fc\u3068\u7d50\u5a5a\u3057\u305f\u3068\u304d\u3001\u4f1a\u793e\u306f\u305d\u306e\u793e\u540d\u3092\u4eca\u3067\u306f\u6709\u540d\u306a\u300c\u30b8\u30a7\u30ed\u30fc\u30e0 \u30c6\u30a3\u30d6\u30f4\u30a3\u30eb \u30e9\u30df\u30fc (J.T.L.)\u300d\u306b\u5909\u66f4\u3057\u307e\u3057\u305f\u3002  <\/p>\n\n\n\n<p>The firm became the largest of the Mirecourt violin making factories \u2013 at its peak it produced over 150,000 instruments annually and employed 1,000 craftsmen.<\/p>\n\n\n\n<p>\n\n\u540c\u793e\u306f\u30df\u30eb\u30af\u30fc\u30eb\u306e\u30d0\u30a4\u30aa\u30ea\u30f3\u88fd\u9020\u5de5\u5834\u3067\u6700\u5927\u3068\u306a\u308a\u3001\u6700\u76db\u671f\u306b\u306f\u5e74\u9593 150,000 \u3092\u8d85\u3048\u308b\u697d\u5668\u3092\u88fd\u9020\u3057\u30011,000 \u4eba\u306e\u8077\u4eba\u3092\u96c7\u7528\u3057\u307e\u3057\u305f\u3002\n\n<\/p>\n\n\n\n<p>The firm had different lines of instruments, including student instruments (eg the M\u00e9dio-Fino and Compagnon ranges) and copies of makers ranging from Stainer and Klotz to Stradivari, as well as instruments named after old violin making-families from Mirecourt and other French makers.<\/p>\n\n\n\n<p>\n\n\u4f1a\u793e\u306b\u306f\u3001\u5b66\u751f\u7528\u697d\u5668 (\u4f8b: \u30e1\u30c7\u30a3\u30aa\u30fb\u30d5\u30a3\u30ce\u3068\u30b3\u30f3\u30d1\u30cb\u30e7\u30f3\u306e\u7bc4\u56f2) \u3084\u3001\u30b9\u30c6\u30a3\u30ca\u30fc\u3084\u30af\u30ed\u30c3\u30c4\u304b\u3089\u30b9\u30c8\u30e9\u30c7\u30a3\u30d0\u30ea\u306b\u81f3\u308b\u307e\u3067\u306e\u30e1\u30fc\u30ab\u30fc\u306e\u30b3\u30d4\u30fc\u3001\u30df\u30eb\u30af\u30fc\u30eb\u3084\u4ed6\u306e\u30d5\u30e9\u30f3\u30b9\u306e\u30e1\u30fc\u30ab\u30fc\u306e\u53e4\u3044\u30d0\u30a4\u30aa\u30ea\u30f3\u88fd\u4f5c\u5bb6\u306b\u3061\u306a\u3093\u3067\u540d\u4ed8\u3051\u3089\u308c\u305f\u697d\u5668\u306a\u3069\u3001\u3055\u307e\u3056\u307e\u306a\u7a2e\u985e\u306e\u697d\u5668\u304c\u3042\u308a\u307e\u3057\u305f\u3002 . \n\n<\/p>\n\n\n\n<p>The J.T.L. firm closed its factories in 1968, after the Mirecourt instrument making industry went into terminal decline in the mid 20th century.<\/p>\n\n\n\n<p> J.T.L. \u30df\u30eb\u30af\u30fc\u30eb\u306e\u697d\u5668\u88fd\u9020\u7523\u696d\u304c 20 \u4e16\u7d00\u534a\u3070\u306b\u6700\u7d42\u7684\u306b\u8870\u9000\u3057\u305f\u5f8c\u3001\u4f1a\u793e\u306f 1968 \u5e74\u306b\u5de5\u5834\u3092\u9589\u9396\u3057\u307e\u3057\u305f\u3002<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p> List of names used in J\u00e9r\u00f4me Thibouville-Lamy trade instruments.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Alfred Aacoulon<\/li>\n\n\n\n<li>Joseph Aubrey<\/li>\n\n\n\n<li>Geronimo Barnabetti<\/li>\n\n\n\n<li>Emile Blondelet<\/li>\n\n\n\n<li>Breton<\/li>\n\n\n\n<li>Charles Buthod<\/li>\n\n\n\n<li>Compagnon<\/li>\n\n\n\n<li>Nicolas Duch\u00eane<\/li>\n\n\n\n<li>M\u00e9dio-Fino<\/li>\n\n\n\n<li>M\u00e9dio-Fino<\/li>\n\n\n\n<li>Le Parisiene<\/li>\n\n\n\n<li>Louis Fricot<\/li>\n\n\n\n<li>Michel Ange Garini<\/li>\n\n\n\n<li>Mansuy<\/li>\n\n\n\n<li>A. Salvator<\/li>\n\n\n\n<li>Salzard<\/li>\n\n\n\n<li>Thi\u00e9ry<\/li>\n\n\n\n<li>Nicolas Bertolini<\/li>\n\n\n\n<li>Le c\u00e9l\u00e8bre vosgien<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"800\" src=\"https:\/\/izuta-violin.co.jp\/makers\/wp-content\/uploads\/2021\/05\/image-1.png\" alt=\"\" class=\"wp-image-3975\" srcset=\"https:\/\/izuta-violin.co.jp\/makers\/wp-content\/uploads\/2021\/05\/image-1.png 624w, https:\/\/izuta-violin.co.jp\/makers\/wp-content\/uploads\/2021\/05\/image-1-234x300.png 234w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><figcaption class=\"wp-element-caption\">1932\u5e74\u306e\u30ab\u30bf\u30ed\u30b0\u3000\u90e8\u5206<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>J\u00e9r\u00f4me Thibouville-Lamy T&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-544","post","type-post","status-publish","format-standard","hentry","category-makers"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/comments?post=544"}],"version-history":[{"count":3,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/544\/revisions"}],"predecessor-version":[{"id":3976,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/posts\/544\/revisions\/3976"}],"wp:attachment":[{"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/media?parent=544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/categories?post=544"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/izuta-violin.co.jp\/makers\/wp-json\/wp\/v2\/tags?post=544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}